In the Met’s Many Revivals, Sometimes Second Casts Finish First In many cases, the second, third and even fourth casts surpassed the season premieres that tend to attract the most attention. By Christopher Corwin
Michael Mayer’s Faux-Archaeologists Can’t Rescue His Entombed ‘Aida’ at the Met Mayer’s weak attempt to address opera’s recent struggles with its history of fetishization of “exotic” cultures adds nothing to the production. By Christopher Corwin
The Met Honors Puccini With a Scattershot Gala ‘Tosca’ The production revealed that soprano Lise Davidsen and tenor Freddie De Tommaso are not especially well-matched By Christopher Corwin