The Guggenheim Considers the Harmonies and Dissonances of Orphism Whether or not Orphism was a bonafide movement within Modernism, the exhibition reminds us of the fertile artistic debates that generated the countless “-isms” of the period. By Elisa Carollo
An Exhibition of Sonia Delaunay’s Work Holds a Mirror to a Life Lived in Art It’s a welcome change to see a woman artist of Delaunay’s generation both enjoy success during her lifetime and be appreciated by new audiences. By Sonya Abrego
With Watercolors, Cézanne Knew When to Stop Painting There is a passage in William Rubin’s text for the catalogue of the Cézanne Watercolors exhibition, which is currently on By Hilton Kramer