Screening at NYFF: Ronan Day-Lewis’s ‘Anemone’ His directorial debut is filled with powerful ideas, even if it doesn’t cohere enough to be consistently engaging. By Siddhant Adlakha
25 Years Later, 9/11’s Artifacts Still Call for a Different Level of Curatorial Care By John Scott Lewinski
Screening at Venice: Halkawt Mustafa’s ‘No Paradise If You Are Killed By a Woman’ By Siddhant Adlakha
Sales at Tokyo Gendai Reflect an Evolving Market Surprisingly Resistant to Trend-Chasing By Elisa Carollo
