Review: Sondheim’s Swan Song Is Goofy, Satirical, And A Joy to Hear The one-percenters of Stephen Sondheim’s final work, 'Here We Are,' are living a life of pleasure, beauty, and infinite possibility. Until Act II, that is. By David Cote
American Psychos: ‘Assassins’ Takes Wobbly Aim Off Broadway I can’t be the only Sondheim nerd sick of respectful, minimalist approaches. By David Cote
Kerry Washington’s Fiery Performance in the Racially Charged ‘American Son’ Will Leave You Dazed 'American Son' turns over the rocks in the political climate to reveal Democracy-challenging toxins you might not have even considered before. By Rex Reed