From Broadway Classics to European Avant-Garde, New York’s Fall Programming Runs the Gamut We're not just short-listing major Broadway shows, daring plays and musicals Off but also work by women artists we're excited to see. By David Cote
“The Comeuppance” Reveals Death’s ‘Aside Effects’ This is not the first time Death, or one of its alter egos, has figured in a Jacobs-Jenkins play. By Rhoda Feng
From A.I. IPOs to Lasting Wealth: Preparing for the Next Liquidity Wave By Mark Lehmann and Kris Reddaway
One Fine Show: “Björk, Echolalia” and “James Merry, Metamorphlings” at the National Gallery of Iceland By Dan Duray