While the federal commemoration sells million-dollar photo ops, the actual story of America's first 250 years is sitting in 12 still-operating addresses.
The show’s cross-generational pairings surface the institutional separations that kept Native artists from forming the kinds of networks modernism took for granted.
Preservation battles over David Wojnarowicz's mural created for "The Missing Children Show" highlight the tension between the city's artistic heritage and development pressures.