Tino Sehgal Piece on Deck at Marian Goodman’s Frieze Booth
Tino Sehgal, whose work often involves fleeting social encounters, will present Ann Lee (2011) at Marian Goodman Gallery’s Frieze New
Tino Sehgal
‘The New Yorker’ Profiles Tino Sehgal
In this week’s edition of The New Yorker, Lauren Collins writes about artist Tino Sehgal, whose major new work These
Really Advanced Art: Claire Bishop Examines the Towering Inferno of Spectatorship
It’s 1965 and you join a crowd of people being shepherded into a stadium in Montevideo as Bach’s “Mass in
