Global Art Biennials: Renovation, Revelation—or Repetition? The question remains whether an alternative biennial model can exist within an art system that structurally absorbs and standardizes difference. The answer is no. By Paco Barragán
The Case for Installing Temporary Public Art “Everything deteriorates,” former Public Art Fund director Tom Eccles told Observer. “The question is, what do you want to retain?” By Daniel Grant
Art Dealer Gavin Brown Is Donating His Gallery Archive to Bard’s Curatorial Center Select works from the gift will be exhibited at CCS Bard this June. By Alexandra Tremayne-Pengelly
Going Up the Country: The Weekend at Bard, the Glass House, Storm King By Sarah Douglas and Zoë Lescaze
Balloon Beasts, Rubber Tongues, Metal Men Abound on Tom Eccles’s VIP Sculpture Park Tour By Zoë Lescaze
Exclusive: CCS Bard Names a Gallery for Robert Mapplethorpe, Honoring $500,000 Foundation Gift By Andrew Russeth and Sarah Douglas