Michael Mayer’s Faux-Archaeologists Can’t Rescue His Entombed ‘Aida’ at the Met Mayer’s weak attempt to address opera’s recent struggles with its history of fetishization of “exotic” cultures adds nothing to the production. By Christopher Corwin
Meet the Collectors: Nancy Olnick and Giorgio Spanu Share the Passion and Vision Behind Magazzino Italian Art By Elisa Carollo
