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Reviews

‘You Hurt My Feelings’ Review: The Problems of Everyday Life, Perfectly Played

Julia Louis-Dreyfus is pitch perfect and hilariously relatable in this Nicole Holofcener film about a marriage strained by a white lie that suddenly becomes not so little.
By Emily Zemler

‘The Little Mermaid’ Review: One of Disney’s Best Live-Action Reimaginings

It's too long, and none of the new songs work. But Halle Bailey retains everything that was originally captivating about Ariel, and this new, more diverse 'Little Mermaid' offers much to fans old and young.
By Emily Zemler

‘The Mother’ Is a Generic Bloodbath Glaringly Devoid of Originality

This forgettable action thriller is thoroughly derivative. Somebody did everything Jennifer Lopez does in this rehashed cinematic gumbo first, in better movies than 'The Mother.'
By Rex Reed

‘Mercy’: Another Piece of Junk in the Current Parade of Forgettable Movies

By Rex Reed

‘Fast X’ Review: Strap In, Forget The Laws of Physics, And Enjoy the Ride

By Emily Zemler

‘Master Gardener’ Review: Another of Paul Schrader’s Lost Souls Seeks Redemption

By Oliver Jones

‘L’immensità’: An Extraordinary and Unforgettable Coming Of Age Drama

By Rex Reed

‘BlackBerry’ Review: An Innovate Or Die Tale of Technology, Artistry, And Capitalism

By Dylan Roth

‘Book Club: The Next Chapter’: This Jane Fonda Film Is a Cinematic Joy

By Rex Reed

‘Silo’ Review: Slow Moving Sci-Fi Dystopia With A Mystery Too Easy to Solve

By Dylan Roth

‘Guardians of the Galaxy Vol. 3’ Review: A Spotify Playlist In Search Of A Movie

By Oliver Jones

‘Sisu’ Review: A Gore-Splattered Contender For Action Movie Of The Summer

By Oliver Jones

‘Chevalier’ Review: An Opulent Footnote to Black History

By Rex Reed

‘Ghosted’: 50% Rom-Com, 50% Action Blockbuster, 100% Forgettable

By Dylan Roth
Two actresses and two actors on children's chairs on a set that looks like an elementary school classroom.

‘The Thanksgiving Play’ Lays Bare Liberal Pretensions Badly

By Rhoda Feng

Shailene Woodley Delivers Another Blockbuster Punch in ‘To Catch A Killer’

By Rex Reed
A book cover featuring a woman on horseback on the left and a photo of a seated woman wearing an open jean shirt on the right.

Guggenheim Fellow Kali Fajardo-Anstine’s Journey from Self-Doubt to Woman of Light

By Cat Woods

‘The Pope’s Exorcist’ Has All The Vitality Of A Corpse

By Oliver Jones

‘Barry’ S4 Review: In A Final Season, Still The Most Fun You’ll Have Being Bummed Out

By Dylan Roth

‘Renfield’ Review: Zero Stars for Loud, Obnoxious, Violent Junk

By Rex Reed

‘Everything Went Fine’ Review: A Life-Affirming Examination of Death

By Rex Reed

‘Renfield’ Review: Nicolas Cage Provides The Only Bite In This Dracula Comedy

By Dylan Roth

‘How to Blow Up A Pipeline’ Review: Film As A Revolutionary Act

By Oliver Jones

‘Paint’ Review: Unhappy Accidents Send A Bob Ross-Like Character Spiraling

By Emily Zemler
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