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1-Star Movies

A woman with pink ombre hair and thick gold hoop earrings looks up and to the side

Screening at SXSW: Boots Riley’s ‘I Love Boosters’

Down with the bourgeoisie? Absolutely. But must the revolution be so sloppy?
By Siddhant Adlakha
A woman in an elegant gown and pearls stands at the center of a crowded party, her gloved hand raised to her chest as she gazes ahead with a poised yet intense expression.

Screening at TIFF: Nia DaCosta’s ‘Hedda’

As visually pristine as it is dramatically dull, it’s one of the fall festival season’s most perplexing “prestige” films.
By Siddhant Adlakha
A shirtless Jude Law looks directly into the camera, beside a blonde Vanessa Kirby who does the same.

Jude Law Contributes Nothing But Full-Frontal Nudity in ‘Eden’

It's like one of those boring, incomprehensible Wes Anderson films that they make up, scene by scene, as they go along.
By Rex Reed

‘The Electric State’ Review: An Expensive Artifact of Our Soulless Technocracy

By Dylan Roth

‘Cleaner’ Review: Daisy Ridley Deserves Better, And So Do You

By Emily Zemler

‘Captain America: Brave New World’ Review: No Cure For the Marvel Malaise Here

By Dylan Roth
A woman looks to her left in front of a bay window

If ‘Presence’ Proves Anything, It’s That Not Every Film Needs to Exist

By Rex Reed
A woman grabs the arm of the man facing her

‘Wolf Man’ Is a Howling Disaster That Mauls the Classic Horror Legacy

By Rex Reed

‘Carry-On’ Review: Airport Thriller Barely Achieves Lift Off

By Emily Zemler

‘Heretic’ Does the Impossible—Makes Hugh Grant Boring

By Oliver Jones
A man in a checkered robe sits opposite two young women wearing Mormon missionary name tags.

Hugh Grant Goes Full Villain in ‘Heretic’—But Who’s Really Terrified?

By Rex Reed
A cozy living room with soft lighting and vintage decor. A young blonde woman and a man embrace tightly in an emotional moment. The room features patterned wallpaper, antique furniture, and a sense of mid-century warmth

‘Here’ Goes Nowhere: Tom Hanks, Robin Wright and the AI Gimmick that Fell Flat

By Rex Reed

‘Venom: The Last Dance’ Review: Brainless and Disjointed

By Dylan Roth

‘Lonely Planet’ Review: Laura Dern Rom-Com Is A Better Travel Ad Than Movie

By Emily Zemler

‘Joker: Folie à Deux’ Review: A Shocking Movie—Shockingly Bad, That Is

By Dylan Roth
Woman staring toward the ground in fear

Who Can Blame an Apathetic Halle Berry? ‘Never Let Go’ Is Relentlessly Obtuse.

By Rex Reed

‘The Front Room’ Review: A Horror-Comedy That Isn’t Quite Either

By Dylan Roth
A man and a woman looking at each over on a bridge overlooking a canal

Hemingway’s Worst Novel Gets Worse: ‘Across the River’ Is a Dull, Pointless Misfire

By Rex Reed

‘AfrAId’ Review: An AI Thriller So By The Numbers It Could Have Been Written By AI

By Dylan Roth

‘The Union’: Noisy, Deadly and Boring All at Once

By Rex Reed

‘Trap’ Review: A Serial Killer With Daddy Issues

By Dylan Roth
Susan Sarandon, Bette Midler, Sheryl Lee Ralph and Megan Mullally in 'The Fabulous Four'

‘The Fabulous Four’ Is the Latest Humiliation of Seniors Seeking Employment

By Rex Reed
Ryan Reynolds as Deadpool/Wade Wilson and Hugh Jackman in Deadpool & Wolverine.

‘Deadpool & Wolverine’ Review: Crowd Pleasing Pops, No Substance

By Dylan Roth

‘Beverly Hills Cop: Axel F’ Review: A Weak Nostalgia Trip You Can Take On Your Couch

By Oliver Jones
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