Lukas Dhont’s ‘Coward’ Renders Queer Desire Against the Machinery of War The film, for all its faults, subverts hyper-masculine war tropes to focus on intimacy, queer desire and art as a tool of survival. By Siddhant Adlakha
Screening at NYFF: Scott Cooper’s ‘Springsteen: Deliver Me From Nowhere’ Jeremy Allen White’s conception of Springsteen is joyful to witness, but the film offers little to engage with beyond its performances. By Siddhant Adlakha
Screening at NYFF: Ronan Day-Lewis’s ‘Anemone’ His directorial debut is filled with powerful ideas, even if it doesn’t cohere enough to be consistently engaging. By Siddhant Adlakha
‘The Lord of the Rings: War of the Rohirrim’ Review: A Generic, Hobbit-Free Tolkien Tale By Dylan Roth