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Newsletters

2-Star Movies

A close-up film still shows a group of young men in military-style uniforms crowded tightly together, shouting and laughing around a central figure.

Lukas Dhont’s ‘Coward’ Renders Queer Desire Against the Machinery of War

The film, for all its faults, subverts hyper-masculine war tropes to focus on intimacy, queer desire and art as a tool of survival.
By Siddhant Adlakha
A man in jeans and a dark T-shirt lies on his back on a red carpeted floor with one hand on his chest beside a crate filled with vinyl records, suggesting a reflective or exhausted moment at home.

Screening at NYFF: Scott Cooper’s ‘Springsteen: Deliver Me From Nowhere’

Jeremy Allen White’s conception of Springsteen is joyful to witness, but the film offers little to engage with beyond its performances.
By Siddhant Adlakha
A gray-haired man with a mustache looks upward with a serious expression in a dark forest, as another man stands slightly behind him in soft focus, also looking ahead.

Screening at NYFF: Ronan Day-Lewis’s ‘Anemone’

His directorial debut is filled with powerful ideas, even if it doesn’t cohere enough to be consistently engaging.
By Siddhant Adlakha
Florence Pugh, Saoirse Ronan and Emma Watson in Little Women.

Greta Gerwig’s ‘Little Women’ Settles for Sentimentality

By Rex Reed
Thomas Jane in Crown Vic.

Police Procedural ‘Crown Vic’ Will Keep You Glued to Your Watch More Than the Screen

By Rex Reed
Marin Ireland and Jim Gaffigan in Light From Light.

Nothing About Ghost Story ‘Light From Light’ Makes Any Sense, Including the Title

By Rex Reed
Roman Griffin Davis and Taika Waititi in JoJo Rabbit.

Uneven Satire ‘Jojo Rabbit’ Is Too Frivolous to Take Seriously

By Rex Reed
Low Tide.

Boring Coming-of-Age Story ‘Low Tide’ Lacks Character Development and a Plot

By Rex Reed
Renée Zellweger in Judy.

Renée Zellweger’s ‘Judy’ Is Nothing More Than Another Gimmick

By Rex Reed
Jennifer Lopez and Constance Wu in Hustlers.

Jennifer Lopez Brings the Trashy and Forgettable ‘Hustlers’ to Life

By Rex Reed
Nicole Kidman and Oakes Fegley in The Goldfinch.

‘The Goldfinch’ Is One of This Year’s Deadliest Disappointments

By Rex Reed
Anna Pniowsky and Casey Affleck in Light of My Life.

Casey Affleck’s ‘Light of My Life’ Is Another Dour End-of-the-World Epic

By Rex Reed
Michelle Williams, Billy Crudup and Julianne Moore in After the Wedding.

‘After the Wedding’ Is a Mediocre Remake with Valiant Performances

By Rex Reed
Brad Pitt in Once Upon a Time in Hollywood.

Imaginative and Awful, ‘Once Upon a Time…in Hollywood’ Is Typical Tarantino

By Rex Reed
Casper Van Dien in Dead Water.

Nautical Thriller ‘Dead Water’ Is Long on Beauty but Short on Logic

By Rex Reed
Florence Pugh in Midsommar.

Ari Aster’s Grisly ‘Midsommar’ Is Downright Sickening

By Rex Reed
James Caan in Holy Lands.

James Caan’s ‘Holy Lands’ Teeters Uncertainly Between Dogma and Comedy

By Rex Reed
Sarah Jessica Parker in Here and Now.

Sarah Jessica Parker’s ‘Here and Now’ Asks: What Would You Do if Someone Gave You 14 Months to Live?

By Rex Reed
Hugh Jackman and Zac Efron in The Greatest Showman.

Hugh Jackman Was Let Down by His Material for ‘The Greatest Showman’

By Rex Reed
Frances McDormand in 'Three Billboards Outside Ebbing, Missouri.'

‘Three Billboards’ Is a Wannabe Coen Brothers Bag of Dumb Jokes

By Rex Reed
Tom Cruise in American Made.

Tom Cruise Makes Another Formulaic Career Choice With ‘American Made’

By Rex Reed
Gerard Butler in A Family Man.

Gerard Butler Shows Sensitive Side in ‘A Family Man’

By Rex Reed
Quitters.

‘Quitters’ Sensitively Details the Vicissitudes of Teenage Angst

By Rex Reed
Damian Lewis in Our Kind of Traitor.

‘Our Kind of Traitor’ Is Another Ho-Hum Spy Thriller Adapted From John Le Carré

By Rex Reed
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