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Achille Lauro

Sean Pannikar as Molqui and Paulo Szot as the Captain in The Death of Klinghoffer, (Courtesy of the Metropolitan Opera)

Opera: An Imperfect, Important ‘Death of Klinghoffer’

The basis of the piece at the Metropolitan Opera is the 1985 hijacking of the cruise ship Achille Lauro by members of the Palestine Liberation Front. When the group’s demands were not immediately met, they retaliated by shooting disabled Jewish-American passenger Leon Klinghoffer and dumping his body overboard.
By James Jorden
Protestors demonstrate as people arrive for the opening night of the Metropolitan (Photo by James Jorden)

In Defense of ‘Klinghoffer’

The real meaning of 'Klinghoffer' is in the music, a form uniquely capable of expressing complexity of emotion, and it is not anti-Semitism.
By James Jorden
Met Opera General manager Peter Gelb (Photo via Getty Images)

Peter Gelb Lacks Both Balls and a Moral Compass

Well, I am not buying tickets to the The Death of Klinghoffer for the next season. In 2003 I saw the Brooklyn Academy of Music production of the terrorist saga, which was so appallingly amoral that I forced myself through to the end as a sort of ethical discipline. Worse than amoral, it was tedious.
By Marty Peretz

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