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Aichi Triennale

A three-panel painting framed together, showing a crouching humanoid figure on orange, a realistic fish in the center, and a long eel-like creature with a small face on the right.

Izumi Kato’s Hybrid Totemic Forms Trace Possible Paths of Ecological Survival

Through fluid forms and radiant color, Kato translates spiritual and biological evolution into a visual language of transformation.
By Elisa Carollo
A red-lit installation room filled with mounds of dried petals covering the floor and furniture, with a wooden table and chairs partly buried and a tipped-over chair in the background.

Hoor Al Qasimi’s Aichi Triennale Confronts Generative and Destructive Extremes

Here, it is abundantly clear that creativity in the face of devastation carries an infinite capacity for quiet resilience.
By Elisa Carollo
A surreal outdoor installation in a forest, featuring an enormous gray sculptural form resembling a fossilized creature or root system winding through autumn leaves and slender tree trunks.

As the Aichi Triennale Considers Humanity’s Fragile Bond with Nature, Hoor Al Qasimi Reflects on Its Role

This year's Triennale invites viewers to confront environmental trauma as something geologically embedded, not merely socially constructed.
By Elisa Carollo
Wide view of Tokyo Gendai 2024 with attendees exploring numerous gallery booths showcasing contemporary artworks inside a brightly lit exhibition hall.

Director Eri Takane On Tokyo Gendai’s Expanding Footprint in Japan’s Fast-Growing Market

By Elisa Carollo
Exterior of a building covered by a colorful wall painting

Observer’s Guide to the Must-Visit Biennials and Triennials of 2025

By Elisa Carollo
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