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Amplifier

A 19th-century Hudson River School landscape painting in an ornate gold frame is overlaid with a ghostly white Indigenous figure made of fringe and horns, visually interrupting the idyllic scene. To the right, a neoclassical marble bust of a white man stands on a pedestal, creating a stark historical contrast between the colonial canon and Indigenous intervention.

Indigenous Artists Use AR to Rewrite the Narrative in the Met’s American Wing

‘ENCODED’ is not intended as a protest but as a precise act of cultural negotiation—a strategic use of technology through which artists can reassert Indigenous presence in American art and history.
By Elisa Carollo

Does Art Hold the Key to Getting Us Vaccinated?

With vaccines widely available yet lacking in volunteers, various organizations, cities, and communities come together for vaccine push.
By Rebecca Ann Hughes
Posters created for the campaign We the Future.

Political Posters by Shepard Fairey and Others Are Coming to 20,000 US Classrooms

The Kickstarter-funded posters, made by Shepard Fairey, Munk One and others, will be installed in 1,000 school districts.
By Daniel Grant

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A woman crouches in an artist’s studio surrounded by large pastel-toned paintings of pearls and shell-like forms leaning against the walls.

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Side by side headshots of a man in a button up and a woman in a black suit

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