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Anat Ebgi

A crowd lines up at the entrance of the Javits Center under large red and white signs reading “The Armory Show.”

A Brisk Start to the Armory Show Suggests Optimism as the Market Adapts to New Rhythms

“People are excited to be ‘back to school'—both dealers and collectors,” David Nolan told Observer after reporting strong opening day sales.
By Elisa Carollo
Caleb Hahne Quintana sits in his studio, surrounded by three of his emotive figurative paintings, each depicting intense human forms set against mystical landscapes.

Inside ‘A Boy That Don’t Bleed,’ Caleb Hahne Quintana’s Poetic Unveiling of Masculine Vulnerability

“I’ve always felt attuned to the spiritual world, which is why these paintings carry a spiritual undertone. I’m treating all this as a vessel—observing and responding to the thoughts and feelings moving through me.”
By Elisa Carollo
The image appears to feature a surreal, haunting scene with figures wearing masks and standing in a snowy, desolate landscape. Some figures are mounted on horses, while others are grouped together, gazing into the distance. There are two dogs in the foreground, and a large hole in the ground that holds an intricately depicted heart symbol, which adds a layer of emotional depth to the scene. The figures' faces are mostly obscured by brightly colored masks, creating a sense of anonymity and eerie detachment. The overall mood is somber, evoking themes of mystery, vulnerability, and loss.

This Fall’s Must-See Gallery Shows in New York

From Ambera Wellmann’s visceral debut at Hauser & Wirth to Sasha Gordon’s first Zwirner solo, September delivers a high-energy lineup of exhibitions across the city.
By Elisa Carollo
A woman in a blue shirt and black pants stands with crossed arms in front of a painting

Gallerist Anat Ebgi Is Taking On Tribeca

By Dan Duray
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