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Anat Ebgi

An image of Jessica Taylor Bellamy standing in front of one of her layered, atmospheric paintings, looking directly at the camera.

Jessica Taylor Bellamy’s Captured Realities Are Never Fully What They Seem

Her latest body of work considers the tension between personal and collective frameworks, particularly as felt in a time of societal fragmentation when shared histories are continuously under threat.
By Elisa Carollo
Portrait of a woman with long dark hair seated on a stool in an art studio, wearing a brown blazer and knee-high boots, with paintbrushes and a large colorful painting behind her.

Veronica Fernandez Paints Childhood Memories into Records of Resilience

In a new show coinciding with Frieze L.A., the artist layers homelessness, displacement and fantasy in paintings that oscillate between vulnerability and strength.
By Elisa Carollo
A row of circular video screens displaying fragmented faces and text is installed across the back of a historic hall with arched architectural details.

The Best Exhibitions to See in L.A.

From Julia Stoschek’s cinematic takeover of the Variety Arts Theater to the high-voltage visions of Murakami, Quarles and Kahraman, these shows capture a city navigating turbulence not by retreating, but by doubling down on ambition and imagination.
By Elisa Carollo
A crowded art fair aisle with collectors and visitors conversing beneath bright gallery lighting and rows of booths.

FOG Design + Art Delivers Strong Sales and Institutional Momentum in San Francisco

By Elisa Carollo
A crowd lines up at the entrance of the Javits Center under large red and white signs reading “The Armory Show.”

A Brisk Start to the Armory Show Suggests Optimism as the Market Adapts to New Rhythms

By Elisa Carollo
Caleb Hahne Quintana sits in his studio, surrounded by three of his emotive figurative paintings, each depicting intense human forms set against mystical landscapes.

Inside ‘A Boy That Don’t Bleed,’ Caleb Hahne Quintana’s Poetic Unveiling of Masculine Vulnerability

By Elisa Carollo
The image appears to feature a surreal, haunting scene with figures wearing masks and standing in a snowy, desolate landscape. Some figures are mounted on horses, while others are grouped together, gazing into the distance. There are two dogs in the foreground, and a large hole in the ground that holds an intricately depicted heart symbol, which adds a layer of emotional depth to the scene. The figures' faces are mostly obscured by brightly colored masks, creating a sense of anonymity and eerie detachment. The overall mood is somber, evoking themes of mystery, vulnerability, and loss.

This Fall’s Must-See Gallery Shows in New York

By Elisa Carollo
A woman in a blue shirt and black pants stands with crossed arms in front of a painting

Gallerist Anat Ebgi Is Taking On Tribeca

By Dan Duray
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