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Art Dealers

Subtitled NYC Is Carving Out a Third Path for New York’s Artists

The gallery launched as a practical way for artist Jaejoon Jang to afford studio space and share work he admired. It has grown into one of Brooklyn’s most adventurous independent spaces.
By Christa Terry
A man wearing glasses, a beige cap and a tan vest stands in front of a display of Sam Doyle’s colorful paintings of figures and scenes from African American life at The Gallery of Everything.

Why James Brett Wants to Retire the Term “Outsider Art”

The founder of London’s Gallery of Everything argues that self-taught, visionary and spiritual makers belong in the art historical canon rather than in a category apart. His Frieze Week program includes Sam Doyle’s first U.K. solo show and a memorial presentation of works by Seyni Awa Camara at 1-54.
By Elisa Carollo
A black-and-white portrait shows three gallery figures standing together against a white wall, dressed in casual dark clothing.

Public Gallery Built Its Reputation by Letting Artists Take the Lead

Founded in 2020 in a Brutalist estate on the edge of London, the space run by Alex Harrison, Harry Dougall and Nicole Estilo Kaiser has become a fixture at the major fairs. The co-directors explain how a flexible model shaped around the people they represent has carried them through several difficult markets.
By Elisa Carollo
A black and white photo of two men, one younger wearing a button down, sweater and blazer and one quite old wearing a fur coat over a suit and tie

Two Dealers on West Broadway: A History

By Georges Berges
An art fair booth

Contemporary Istanbul’s Uneven Roster Saw Foreign Galleries Making the Strongest Case for Turkish Art

By Sarah Moroz
BRITAIN-ART-FRIEZE

Observer’s 2026 October Art Fair Calendar (Updated)

By Christa Terry
A portrait of Jaqueline Cedar standing in her studio between large-scale abstract and figurative paintings.

Artist and Dealer Jaqueline Cedar’s SPLIT LEVEL Fair Bets on a More Intimate Art Market Model

By Elisa Carollo
A smiling woman in a green blouse with a dramatic white collar stands against a pale background with her hands in her pockets.

Mila Askarova Adds Chelsea to Gazelli Art House’s International Footprint

By Elisa Carollo
A painting rendered in dark colors of a family riding in the third class part of a train carriage with top-hatted heads behind them. The woman is nursing a baby.

An Insider’s Indictment of an Isolated Art World

By Georges Berges
Tom Wesselmann’s Nude Banner (1969), depicting a reclining pink female nude beneath a large blue star, with red flowers and a black tabletop behind her

Marian Goodman’s Multiples, Inc. Banners to Resurface at New York’s Independent 20th Century

By Elisa Carollo
A man in a navy suit and glasses sits between two easels holding blue-green abstract paintings, with framed canvases stacked behind him in a bright interior.

Arthur de Villepin On Bridging Cultures with Villa Haw Par and a New Curatorial Project in Milan

By Elisa Carollo
A man in a black suit and white shirt stands between large textured glass panels inside a gallery space.

David Norr Says He Measures Artists’ Careers in Decades, Not Market Cycles

By Dan Duray
A wide white gallery wall displays three abstract paintings: a dark brown grid-like work, a peach triptych and a red-and-blue geometric composition.

NowHere Bets On the Japanese Artists New York’s Gallery System Overlooked

By Elisa Carollo
A man stands with his arms crossed in a white gallery space, surrounded by contemporary artworks including a large misty photograph, a circular red portrait work, a red-toned landscape and a dark abstract painting.

Sébastien Borget Is Expanding Digital Art’s Reach Without Softening Its Ambition

By Elisa Carollo
A man stands in front of a painting of a woman's face

London Art Dealers Take the City’s Temperature

By Elisa Carollo
An older man and a younger man in suits pose in an office lined with bookshelves, with catalogs and papers spread across the desk in front of them.

Edmondo and Michele di Robilant Chart a Course for Robilant with Old Masters and New Names

By Elisa Carollo
An installation view shows multiple framed paintings displayed across a spacious white gallery with exposed ceiling ducts.

Galerie Gmurzynska’s Old-School Slow Art Model Is Newly Radical

By Elisa Carollo
Small statue busts are displayed on neon yellow plinths in a gallery space with white walls and a dark floor

An Art-Lover’s Guide to Tunis’ Ground-Up Contemporary Scene

By Naima Morelli
A large Gerhard Richter artwork featuring thick red and orange abstract paint layers framing a photograph-like gallery scene with two older visitors walking through an exhibition space.

Gerhard Richter, Franz Kline and the Art Marian Goodman Never Let Go

By Dan Duray
A brick storefront with large floor-to-ceiling windows and black-framed double glass doors, revealing a softly lit, mostly empty gallery interior with faint reflections of passing cars on the street.

In Chelsea, 47 Canal and Max Levai Are Betting On Collaboration

By Elisa Carollo
Digital illustration showing a person interacting with a smartphone while a robot is visible next to a laptop, with speech bubbles, representing AI technology in an art gallery setting.

Art Galleries Are Quietly Embracing A.I. But Most Have No Guardrails in Place

By Elisa Carollo
A portrait of two men on a white architectural terrace, one seated in a black suit facing the camera and the other in a yellow blazer leaning forward beside a palm tree.

Consonni Radziszewski Launches With a Three-City Footprint

By Elisa Carollo
A large colorful abstract painting hangs above an ornate wooden chest in a bright living room with a sofa and decorative columns nearby.

Dealer Estates Will Once Again Headline New York’s May Marquee Auctions

By Elisa Carollo
A studio portrait shows a woman with long dark hair wearing a sleeveless denim top, sitting with her arms crossed and looking directly at the camera.

Meet the Collector: Yasmine Berrada Wants to Change the Way the World Sees Moroccan Art

By Naima Morelli
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