Partnerships Are the Currency of Sustainability at Art Collaboration Kyoto “It’s time for the art world to intercept funding from corporations, who can be today’s patrons,” explains ACK director Yukako Yamashita. By Elisa Carollo
How Artissima’s Curatorial and Institutional DNA Sets It Apart from the Mega-Fairs Director Luigi Fassi explains how the fair has grown into a cornerstone of Italy’s contemporary art ecosystem by being publicly anchored, curator-driven and deliberately porous. By Elisa Carollo
Paris Internationale at 10: How the Dealer-Led Fair Anticipated Today’s Art Market The art fair recently announced a new Milan edition that will debut during that city’s art week in April. By Elisa Carollo
Art Basel Paris’ Clément Delépine Reflects On How the Fair Tightened Its French Roots and Global Reach By Elisa Carollo
Affordable Art Fair’s Erin Schuppert Explains How Next-Gen Collectors Are Transforming the Market By Christa Terry
Four Years in, Pat Lee Reflects on Frieze Seoul’s Role in Reshaping the City’s Art Ecosystem By Elisa Carollo
Director Eri Takane On Tokyo Gendai’s Expanding Footprint in Japan’s Fast-Growing Market By Elisa Carollo
EXPO CHICAGO’s Frieze-Era Shift: Tony Karman Discusses the Fair’s Expanding Local and Global Influence By Elisa Carollo
TEFAF Maastricht’s Manon van den Beuken Reveals Details About the Fair’s Upcoming Edition By Elisa Carollo
Building the Market for African Art in France: An Interview With Sitor Senghor, Artistic Director of AKAA By Sarah Moroz
Pride of Place for Pan-African Art: An Interview with 1-54 Founding Director Touria El Glaoui By Sarah Moroz
Frieze Fairs Director Victoria Siddall Knows Her Audience, and How Her Events Need to Evolve By Helen Holmes