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Art Reviews

Thomas Cole's Course of the Empire series.

Met’s Thomas Cole Show Highlights How an Immigrant Shaped American Identity

By Margaret Carrigan
Terry Adkins, Native Son(Circus), 2006/2015. Cymbals, armature, and additional technical components, 20 x 96 in.

Terry Adkins’ Sculptures Sing at New York’s Lévy Gorvy Gallery

By David D'Arcy
Installation view of Medardo Rosso at Thaddaues Ropac.

Medardo Rosso’s Magnum Opus Goes on View at Galerie Thaddaeus Ropac

By Margaret Carrigan
Legs Diamond promo poster.

The Best One-Night-Only Musicals on Broadway This Holiday Season

By Harry Haun
Michelangelo Buonarroti, The Torment of Saint Anthony, ca. 1487–88. Tempera and oil on wood 18 1/2 x 13 3/4 in.

The Met Museum’s Michelangelo Is the Show of the Year

By David D'Arcy
April Palmieri, Valentine’s Day Repose, 1982. Pictured: Katy K and John Sex in the window of Fiorucci.

MoMA Exhibition ‘Club 57’ Salutes the Art of the East Village

By David D'Arcy
Johannes Vermeer Woman with a Pearl Necklace, c. 1662-65 oil on canvas 20 3/16 x 17 3/4 in.

National Gallery Reveals Vermeer’s Inspiration in ‘Masters of Genre Painting’

By David D'Arcy
Kaijumax drawn by Zander Cannon.

Comic Book ‘Kaijumax’ Is a Colorful, Jarring Portrait of Life in Prison

By John Martin
Jordan Casteel. Cowboy E, Sean Cross, and Og Jabar, 2017. Oil on canvas, 90 x 78 in.

In New Portraits, Jordan Casteel Makes Eye Contact With the Men of Harlem

By David D'Arcy
Harley Quinn Special #1

Happy Birthday Harley Quinn: DC’s Vibrant Villain Celebrates 25 Years in Comics

By John Martin
Christian Marclay, Boneyard, 1990. Hydrostone casts of telephone receivers, in 750 parts, dimensions variable.

Before ‘The Clock,’ Telephones Were Christian Marclay’s Muse

By David D'Arcy
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