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Artists

Reviews, commentary, news and interviews with and about the artists who influence every corner of the art market. Visit our Artist Index to browse all artists Observer has chronicled over the last 30+ years.

A painting of a dead, trussed sheep

One Fine Show: “Zurbarán” at the National Gallery in London

This artist looked life square in the face, and painted it in all its beauty and viscerality.
By Dan Duray
A studio portrait shows a man wearing sunglasses, a white T-shirt and tan pants standing in a cluttered workshop with tools, shelves, hoses, sculptures and worktables around him.

Sébastien Léon’s Material Exploration

"I’m interested in imagining a different physical world, almost a parallel set of conditions where matter follows a slightly altered logic," the artist told Observer.
By Christa Terry
An image of a stamp sheet shows repeated Keith Haring-style “Forever USA” stamps, each with black outlined figures holding up a red heart.

How the World’s Great Artist Foundations Stay Solvent

The Mapplethorpe Foundation earns a quarter of a million dollars annually from merchandising and licensing, and another $200,000-$250,000 per year in exhibition fees, as museums borrowing prints from the foundation pay $1,000 per image.
By Daniel Grant
An installation view shows translucent circular panels wrapping through the Korean Pavilion, with sculptural stations placed throughout the sunlit wooden interior.

In the Korean Pavilion, Nation-Building Is an Open and Ongoing Process

By Elisa Carollo
An installation view shows a white gallery with a large red wall text work, three smaller red text panels, paintings on surrounding walls and a bright yellow sculptural exclamation mark on the floor.

Sprüth Magers Celebrates a Decade in Los Angeles With the Artists Who Helped Define a City

By Jordan Riefe
An abstract work on paper shows many black and red dots, eyes, stars, spirals and curving lines spread across a cream-colored background, with color calibration bars visible at the top and bottom.

Joan Miró’s Joy Is as Infectious as Ever

By Dian Parker
A messy bed with white sheets and two pillows on a blue rug. There are garbage strewn around

One Fine Show: “Tracey Emin, A Second Life” at Tate Modern in London

By Dan Duray
A spacious gallery installation with suspended vertical wires, colorful curved glass panels arranged across the floor, and large wall-mounted glass works.

Su Xiaobai’s Meditative Material Practice Is the Focus of One of the Biennale’s Most Commanding Shows

By Elisa Carollo
Photo by Dan Bradica Courtesy the artist and Tanya Bonakdar Gallery, New York

The Temporal and Geographical Ambiguity of Mark Manders

By Elisa Carollo
An abstract collaborative painting shows bold red, black, gold, purple and blue shapes around a central white circle marked with handwritten signatures.

Can Rock Royalty Really Make Art Worth Owning?

By Simon Coates
A man sits cross-legged in front of a large quilt-like textile with red, blue and white geometric patterns.

At Marianne Boesky, Sanford Biggers Rewrites the Rules of Material Storytelling

By Elisa Carollo
A portrait photograph shows Manuel Mathieu standing in front of a large abstract painting with purple, orange and white forms, framed by hanging strips of textured material.

Manuel Mathieu’s Venice Biennale Debut Asks How We Carry the Past

By Elise Morton
A sculptural assemblage in black leaning against a cream-colored wall

One Fine Show: “Louise Nevelson, Mrs. N’s Palace” at the Centre Pompidou-Metz

By Dan Duray
An ornate museum gallery with dark curtains, glass cabinets and classical busts displays several white pillow-like sculptural figures positioned across the floor.

Erwin Wurm Transforms the Fortuny Museum into a Theater of the Absurd

By Elisa Carollo
The artist stands inside his installation beside monumental vessel sculptures made of reflective metal, titanium forms and intricate ornamental details.

Wallace Chan’s Dual-Site Exhibition Bridges Not Only Geography But Also Matter, Energy, Past and Future

By Elisa Carollo
A man with a green striped jacket and red cap looks up at a massive bright orange fire hydrant sculpture in a grassy park.

Roberto Lugo On Thinking Larger Than Life in Madison Square Park

By J. Scott Orr
Red-painted museum building exterior with a small tree in front, a wooden door, and visitors walking by.

Two Houses, One Legend: A New Museum Shows Another Side of Frida Kahlo

By Jordan Riefe
An altar-like wooden cabinet combines expressive painted panels and handmade puppets arranged in a theatrical tableau against a black wall.

One Fine Show: “Paula Rego, Dance Among Thorns” at MUNCH in Oslo

By Dan Duray
A painter stands in a studio surrounded by large, brightly colored abstract canvases.

50 Years of Groundbreaking Work: Kunstmuseum Basel Puts Helen Frankenthaler Front and Center

By Dian Parker
A print of an etching of the entombment of Jesus

From Midnight Casts to Authorized Editions: Understanding the Market for Posthumously Produced Art

By Daniel Grant
A person with short gray-streaked hair and glasses sits on the floor in front of a staged storefront installation featuring signs for “psychic readings” and a neon hand-and-eye symbol behind a barred window.

Nick Doyle’s “Mirror, Mirror” Turns the American Dream Inside Out

By Elisa Carollo
A highly detailed silver sculpture resembling a human face, displayed on a white pedestal in a circular, ornately carved wooden hall with additional busts on stands in the background.

Barry X Ball Connects the Secular and Sacred in “The Shape of Time”

By Madeleine Seidel
A grid of torn black-and-white portraits is repaired with thin gold lines.

Don’t Miss: Giles Duley’s “Distortion / Memory / Resilience” at Sutton Tower

By Kinvara Balfour
A monumental red abstract sculpture with a curled, organic top rises from the floor in a minimalist white gallery.

A Major Martin Puryear Retrospective Reveals an Artist Who Has Never Stopped Evolving

By Anthony Paletta
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