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Biennials

An indoor garden installation fills a gallery with soil, rocks, trees and plants.

Global Art Biennials: Renovation, Revelation—or Repetition?

The question remains whether an alternative biennial model can exist within an art system that structurally absorbs and standardizes difference. The answer is no.
By Paco Barragán
Paintings and sculptural busts by Edouard Duval-Carrié are displayed against vivid blue walls in an installation exploring Haitian vodou cosmologies and colonial history at the Venice Biennale.

Koyo Kouoh’s Venice Biennale Looks to Ancient Wisdom to Mend a Fractured Present

Again and again, the works return to what is ancient, universal and enduring: symbols, cosmologies and archetypes that precede cultural, national and even linguistic divisions.
By Elisa Carollo
A group of tall clay and organic sculptures resembling human figures stand in a dimly lit formation inside Chiara Camoni’s Italian Pavilion at the 2026 Venice Biennale.

The Venice Biennale’s Most Powerful Pavilions Tune into Shared Consciousness

Amid protests, geopolitical tensions and the contradictions of the Biennale’s own structure, the most compelling pavilions leaned into ancestral knowledge and collective imagination as alternative ways of understanding coexistence in a fractured world.
By Elisa Carollo
A close-up of a widescreen monitor embedded in gray panels shows a black-and-white image of a hand, with a small metal cart positioned to the left against the installation.

The Philippines Pavilion Turns the Country’s Maritime History into an Archive of Universal Longing

By Elisa Carollo

In the Polish Pavilion, “Liquid Tongues” Rewrites Our Hierarchy of the Senses

By Elisa Carollo
An older woman sits at a table painting a geometric pattern on fabric while a small monkey stands on her arm, with a large patterned textile hanging behind her.

Sara Flores On Bringing Shipibo-Konibo Cosmology to Peru’s Venice Pavilion

By Elisa Carollo
A bald, bearded man in a black jacket sits on a couch designed like oversized Ionic column capitals, posed in a living room with bookshelves behind him.

In Venice, Andreas Angelidakis Is Queering the Idea of a National Pavilion

By Sarah Moroz
A group of performers in matching outfits work together around sculptural materials in a pink-lit installation space.

La Biennale de Québec: What Shifts When Ice Splits

By Chenoa Baker
Two Arab men in traditional white dresses looking at an art installation on a wall.

The Art Fair as Cultural Policy Platform

By Elisa Carollo
A large warehouse space lined floor to ceiling with stitched jute sacks hosts a seated audience encircling a central runway beneath suspended fluorescent lights.

In Kochi, a Biennial Becomes a Civic Laboratory

By Elisa Carollo
Artists and curator pose together outdoors against a brick and stone wall

India Returns to Venice With a Pavilion Rooted in Memories of Home

By Elisa Carollo
A white sculpture by Anna Tsouhlarakis shows a horse’s head fitted with multiple white human arms pointing outward and spears mounted behind it, creating a striking hybrid monument displayed inside a gallery.

Anna Tsouhlarakis and Native Visibility at the Whitney Biennial

By Petala Ironcloud
A sculpture reassembling a tree but made of composed of roughly 3,500 hand-braided strands.

The 2026 Whitney Biennial Delivers American Art for a Fractured Age

By Elisa Carollo
Exterior of a building covered by a colorful wall painting

The Venice Biennale Announces 111 Artists for Its 2026 Edition, Koyo Kouoh’s “In Minor Keys”

By Elisa Carollo
An assemblage sculpture sits on a circular platform in a dark gallery, combining car parts, fabric, a loudspeaker, an emergency light and a wheelbarrow-like base, with a blue triangular beam of light projecting from the sculpture into the surrounding space.

At Saudi Arabia’s Diriyah Biennale, Art Moves in Procession

By Elise Morton
A gallery interior filled with textile works, vitrines, and hanging materials is viewed from a wide central aisle.

The Sixth Kochi-Muziris Biennale Foregrounds Human Experience

By Elisa Carollo
Exterior view of the Whitney Museum of American Art’s Leonard A. Lauder Building, showing its angled steel facade, glass canopy and upper-level cantilever against a partly cloudy sky.

The 2026 Whitney Biennial Aims to Map a New Geography of American Art in ‘a Moment of Profound Transition’

By Elisa Carollo
Two people in white robes look up at a night sky filled with intersecting beams of light radiating from a single bright point.

Manar Abu Dhabi Illuminates a Growing Ecosystem of Creativity and Public Engagement

By Elisa Carollo
A color photograph shows a young man standing upright in floral swim trunks on a crowded beach, with sunbathers, umbrellas and mountains in the background.

LagosPhoto Festival Confronts the Historical Weight of Incarceration

By Gameli Hamelo
A large spherical sculpture with green padding and glowing pink lights is encased in a teal metal frame inside a brightly lit room.

At the Chicago Architecture Biennial, Radical Times Demand Radical Change

By Noah Berlatsky
A large-scale black-and-white video projection of shifting liquid and glass textures fills the gallery wall, enveloping the viewer in an abstract, meditative movement.

An Invitation to Pause: Inside Iceland’s Sequences Festival of Real-Time Art

By Elisa Carollo
A pair of dark, organic-shaped sculptures stand in a sunlit brick courtyard framed by arched walls adorned with blue woven forms.

The First Bukhara Biennial Reveals That the Most Expensive Ingredient Is Time

By Jelena Sofronijevic
A colorful painting on an off-white wall

‘Made in LA’ Captures the Creative Resilience of the Los Angeles Art Scene in a Charged Moment

By Jordan Riefe
An installation view shows a mirrored room filled with hundreds of hanging lamps and chandeliers of different shapes and sizes, creating endless reflections of light.

The 36th Bienal de São Paulo Foregrounds the Necessity of Mutual Obligation

By Mercedes Ezquiaga
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