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Events Newsletters

Broadway

Writers Guild Of American Holds Rally Outside NBCUniversal In New York

How Do You Solve a Problem Like the 2023 Tony Awards?

Oscar Winner Ariana DeBose is still slated to host, but with the changes, we don’t yet know in what capacity.
By Laura Wheatman Hill

‘New York, New York’: Come For The Songs, Everything Else Is A Mess

This show—questionably claiming to be inspired by Martin Scorsese's 1977 movie—piles up a tidal wave of old John Kander and Fred Ebb songs worthy of applause. But the rest of the evening is of a hike through quicksand in snow shoes.
By Rex Reed

Review: Sean Hayes Is a Miracle In ‘Good Night, Oscar’

Sean Hayes is entertaining without pause in his sensational portrayal of Oscar Levant in one of the few Broadway shows that unimpeachably deserves its tumultuous standing ovation.
By Rex Reed

Review: Jodie Comer Sees Both Faces of the Law in the Powerful Prima Facie  

By David Cote

‘Peter Pan Goes Wrong’ Is a Magical Comedy Disaster 

By David Cote
Ted Sarandos speaks with hands clasped in front of a Netflix sign.

Netflix Co-CEO Ted Sarandos Wants More Fans Wearing ‘Stranger Things’ T-Shirts

By Rachyl Jones

Pulitzer Prize Winning Playwright Doug Wright On Why Sean Hayes Was the Only Actor For ‘Good Night, Oscar’

By Harry Haun

Broadway Team Lynn Ahrens and Stephen Flaherty On 40 Years (And Counting) of Musicals

By Harry Haun

Review: “Shucked” Pops Loudly on Broadway, Despite Some Empty Calories

By David Cote

Robert Horn On Growing a Broadway Musical, ‘Shucked,’ From the Ground Up

By Harry Haun

‘Sweeney Todd’ Review: Sondheim’s Masterpiece Endures In An Aimless Revival

By Rex Reed

Review: Bad Cinderella’s Glass Slipper? More Like a Moldy Croc

By David Cote
Outside the Hamilton theater on Broadway at night.

Broadway Shows Are Scrambling After Signature Bank’s Closure

By Rachyl Jones

Review: A Decluttered Doll’s House Speaks to Our Alienated Times 

By David Cote

Wayne Cilento Brings Bob Fosse’s Dancin’ Back to Broadway

By Harry Haun

Spring Theater Preview: A Dozen Great Shows Bloom On Broadway (And Off)

By David Cote

‘Pictures From Home’ Review: Unfocused And Underexposed

By David Cote

How Playwright Sharr White Built A Broadway Domestic Dramedy From Family Photos

By Harry Haun

Paul Bettany On Transforming Into Andy Warhol In ‘The Collaboration’

By Harry Haun

Review: ‘Some Like It Hot’ Is The Joyous Broadway Musical People Have Been Praying For

By Rex Reed

‘Ohio State Murders’: 75 Minutes of Waiting for Something To Happen

By Rex Reed

For Cameron Crowe and Neal Preston, the ‘Almost Famous’ Musical is Full Circle

By Rachel Millman

Review: ‘A Beautiful Noise’ Is A Portrait of The Rock Star As Depressed Senior Citizen 

By David Cote

Three-Time Tony Winner Jack O’Brien Explains “How to Goddamn Direct” In New Memoir

By Harry Haun
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