Broadway

Mar 2

Wayne Cilento Brings Bob Fosse’s Dancin’ Back to Broadway

By Harry Haun

Feb 22

Spring Theater Preview: A Dozen Great Shows Bloom On Broadway (And Off)

By David Cote

Feb 9

‘Pictures From Home’ Review: Unfocused And Underexposed

By David Cote

Jan 31

How Playwright Sharr White Built A Broadway Domestic Dramedy From Family Photos

By Harry Haun

Dec 29

Paul Bettany On Transforming Into Andy Warhol In ‘The Collaboration’

By Harry Haun

Dec 11

Review: ‘Some Like It Hot’ Is The Joyous Broadway Musical People Have Been Praying For

By Rex Reed

Dec 9

‘Ohio State Murders’: 75 Minutes of Waiting for Something To Happen

By Rex Reed

Dec 8

For Cameron Crowe and Neal Preston, the ‘Almost Famous’ Musical is Full Circle

By Rachel Millman

Dec 5

Review: ‘A Beautiful Noise’ Is A Portrait of The Rock Star As Depressed Senior Citizen

By David Cote

Nov 30

Three-Time Tony Winner Jack O’Brien Explains “How to Goddamn Direct” In New Memoir

By Harry Haun

Nov 18

Review: The Excruciating “& Juliet” Fails on Every Level

By Rex Reed

Oct 18

She Screams, They Scream, We All Scream For Lea Michelle In ‘Funny Girl’

By Rex Reed

Oct 10

‘Leopoldstadt’: Tom Stoppard’s Epic Five-Act Tour of His Family Tree

By Harry Haun

Sep 19

Phantom of the Opera, The Longest Running Show in Broadway History, Will Close in February

By Alexandra Tremayne-Pengelly

Sep 16

Samuel L. Jackson Was Once an Understudy in “The Piano Lesson.” Now He’s A Star.

By Harry Haun

Aug 25

I Was Stranded in Canada on 9/11, and Even I Learned from ‘Come From Away’

By Amy Polacko

Jul 29

A Broadway Mystery: Producers are Trying to Track Down Some Giant Inflatable Boots That Have Been Missing for 20 Years

By Alexandra Tremayne-Pengelly

Jul 13

Ryan Murphy, Pick Up the Phone: What Went Down With Broadway’s ‘Funny Girl’ Revival

By Erin Taylor

Jun 13

All the Best Looks from the 2022 Tony Awards Red Carpet

By Morgan Halberg

Jun 10

Julie White Gets Loud—and Tony Nominated—in the Broadway Farce ‘POTUS’

By Harry Haun

Jun 7

Jennifer Simard: From ‘Forbidden Broadway’ to Tony Contender

By Harry Haun

Broadway

Broadway

Review: Bad Cinderella’s Glass Slipper? More Like a Moldy Croc

Broadway Shows Are Scrambling After Signature Bank’s Closure

Review: A Decluttered Doll’s House Speaks to Our Alienated Times

Wayne Cilento Brings Bob Fosse’s Dancin’ Back to Broadway

Spring Theater Preview: A Dozen Great Shows Bloom On Broadway (And Off)

‘Pictures From Home’ Review: Unfocused And Underexposed

How Playwright Sharr White Built A Broadway Domestic Dramedy From Family Photos

Paul Bettany On Transforming Into Andy Warhol In ‘The Collaboration’

Review: ‘Some Like It Hot’ Is The Joyous Broadway Musical People Have Been Praying For

‘Ohio State Murders’: 75 Minutes of Waiting for Something To Happen

For Cameron Crowe and Neal Preston, the ‘Almost Famous’ Musical is Full Circle

Review: ‘A Beautiful Noise’ Is A Portrait of The Rock Star As Depressed Senior Citizen

Three-Time Tony Winner Jack O’Brien Explains “How to Goddamn Direct” In New Memoir

Review: The Excruciating “& Juliet” Fails on Every Level

She Screams, They Scream, We All Scream For Lea Michelle In ‘Funny Girl’

‘Leopoldstadt’: Tom Stoppard’s Epic Five-Act Tour of His Family Tree

Phantom of the Opera, The Longest Running Show in Broadway History, Will Close in February

Samuel L. Jackson Was Once an Understudy in “The Piano Lesson.” Now He’s A Star.

I Was Stranded in Canada on 9/11, and Even I Learned from ‘Come From Away’

A Broadway Mystery: Producers are Trying to Track Down Some Giant Inflatable Boots That Have Been Missing for 20 Years

Ryan Murphy, Pick Up the Phone: What Went Down With Broadway’s ‘Funny Girl’ Revival

All the Best Looks from the 2022 Tony Awards Red Carpet

Julie White Gets Loud—and Tony Nominated—in the Broadway Farce ‘POTUS’

Jennifer Simard: From ‘Forbidden Broadway’ to Tony Contender

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