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Broadway

Robert Horn On Growing a Broadway Musical, ‘Shucked,’ From the Ground Up

The playwright explains how the new musical 'Shucked' started as a spoof of 'Hee-Haw' and blossomed into a corn-fed 'Brigadoon.'
By Joe Levy

‘Sweeney Todd’ Review: Sondheim’s Masterpiece Endures In An Aimless Revival

Josh Groban is excellent as the Demon Barber of Fleet Street, but the production is ugly and chaotic.
By Rex Reed

Review: Bad Cinderella’s Glass Slipper? More Like a Moldy Croc

A book by Emerald Fennell (who wrote and directed 'Promising Young Woman') and music by Andrew Lloyd Webber must have screamed cross-generational synergy on paper. But it’s TikTok meets grandfather clock.
By David Cote

Julie White Gets Loud—and Tony Nominated—in the Broadway Farce ‘POTUS’

By Harry Haun

Jennifer Simard: From ‘Forbidden Broadway’ to Tony Contender

By Harry Haun

David Threlfall Brings Super High-Definition Accuracy to His Tony Nominated Performance in ‘Hangmen’

By Harry Haun

In ‘POTUS’ Lilli Cooper Is a Working Mom Onstage and Off

By Harry Haun

Tracy Letts Wrote ‘The Minutes’ As a Political Parable Only to See It Become a Prophecy

By Harry Haun

Patrick J. Adams Overcame Stage Fright to Bare It All On Broadway in ‘Take Me Out’

By Harry Haun

Review: ‘A Case for the Existence of God’ Finds What Connects Us All and Holiness in Humanity

By David Cote

Autistic Actor and Author Mickey Rowe Fights Ableism On and Off Stage

By Brijana Prooker

Review: Billy Crystal Deserves Better Than ‘Mr. Saturday Night’

By Rex Reed
"The Minutes" Broadway Opening Night

Review: ‘The Minutes’ Is a Haunting Examination of Who We Really Are and Have Always Been

By Rex Reed

David Loud Remembers Some of Broadway’s Best Musicals in ‘Facing the Music’

By Harry Haun

Review: Is It Worth Checking into ‘Plaza Suite’ on Broadway?

By David Cote

Costume Designer Paul Tazewell Talks Building Characters Through Fabric and Color

By Annie Levin

Choreographer Ellenore Scott Is Changing Broadway Two Shows at a Time

By Sarah Parker

New York Art Spaces Are Trying New Tactics to Get Visitors in the Door

By Helen Holmes

‘The Music Man’: Hugh Jackman Dazzles in the Perfect Role

By Rex Reed

Jefferson Mays and Jayne Houdyshell Are The Mayor and First Lady of ‘The Music Man,’ At Long Last

By Harry Haun

Reviving the Revivals: ‘Encores!’ Returns to New York City Center 

By Harry Haun

Brandon J. Dirden Brings the Family Business to Broadway’s ‘Skeleton Crew’

By Harry Haun

Matt Doyle and the Gender Flipped Tongue Twister That’s Lighting Up Broadway

By Harry Haun

Broadway’s Palace Theatre Has Begun Its 8 Week, 30 Foot Ascent

By Helen Holmes
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