Robert Horn On Growing a Broadway Musical, ‘Shucked,’ From the Ground Up The playwright explains how the new musical 'Shucked' started as a spoof of 'Hee-Haw' and blossomed into a corn-fed 'Brigadoon.' By Joe Levy
‘Sweeney Todd’ Review: Sondheim’s Masterpiece Endures In An Aimless Revival Josh Groban is excellent as the Demon Barber of Fleet Street, but the production is ugly and chaotic. By Rex Reed
Review: Bad Cinderella’s Glass Slipper? More Like a Moldy Croc A book by Emerald Fennell (who wrote and directed 'Promising Young Woman') and music by Andrew Lloyd Webber must have screamed cross-generational synergy on paper. But it’s TikTok meets grandfather clock. By David Cote
David Threlfall Brings Super High-Definition Accuracy to His Tony Nominated Performance in ‘Hangmen’ By Harry Haun
Tracy Letts Wrote ‘The Minutes’ As a Political Parable Only to See It Become a Prophecy By Harry Haun
Review: ‘A Case for the Existence of God’ Finds What Connects Us All and Holiness in Humanity By David Cote
Review: ‘The Minutes’ Is a Haunting Examination of Who We Really Are and Have Always Been By Rex Reed
Jefferson Mays and Jayne Houdyshell Are The Mayor and First Lady of ‘The Music Man,’ At Long Last By Harry Haun