Cabaret
Cabaret Diva Bridget Everett Wants to Wrap Her Legs Around America
Though a Little Hokey, ‘Love, Simon’ Tackles Teenage Coming Out With Compassion
Marilyn Maye Shares Her Secret to a Happy Life at Jazz at Lincoln Center
Cole Porter’s Lost Musicals Get the Revivals They Deserve
NYC Honors Two of America’s Best Eclectics, David Amram and John Kander
With Old Chums, Life Is a Cabaret
Danny Burstein Wants a Five-Way Tie at the Tonys
A Grown-Up’s Guide to South Beach
A Love Letter to Joel Grey on the Occasion of His New Memoir
Ann Hampton Callaway Celebrates Female Songwriters at Feinstein’s/54 Below
On the Town With Rex Reed
Luxuriating in the Lush Phrasings of Singer Celia Berk
Christine Ebersole and Sally Kellerman Spread Joy Like Marmalade at 54 Below
Alan Alda, Candice Bergen’s TV Chat-Fest Boosts Ticket Sales for “Love Letters”
No Christmas for Bradley Cooper as Broadway Shows Pile on Holiday Performances
Pizzarelli and Molaskey Bring a Heightened Sense of Maturity to the Café Carlyle
Try as She Might, Molly Ringwald Is Not a Jazz Singer
Rita Wilson Has Personality, but It Doesn’t Mean She Should Sing
At NYO, a Changing Picture of the Arts
![‘Bridget does things that should make people feel uneasy, yet they are thrilled, elated and empowered. Instead of just shocking people, [she] makes the audience feel like they are in on it.’](https://observer.com/wp-content/uploads/sites/2/2014/09/bridget_298a1051_photoby_tshell.jpg?quality=80&w=300&h=225&crop=1&strip)