Cannes Film Festival
Firehose of Applause Greets Baz Luhrmann’s Candy-Colored, Kaleidoscopic Elvis Biopic at Cannes
All the Best Red Carpet Fashion at the amfAR Gala Cannes
Tom Cruise Says Art Is Skill, Cannes Applauds Wildly
All the Best Red Carpet Fashion at the Cannes Film Festival
The 75th Cannes Film Festival Opens With Blood, Guts, and Poop
The Most Glamorous and Luxurious Hotels to Stay in for the Cannes Film Festival
‘The Worst Person in the World’: An Uncertain Woman and the Search for . . . Something
Dylan Penn Wants to Turn the Tables and Direct Her Dad Sean Penn After Making ‘Flag Day’
‘Val’ Is One of the Year’s Most Potently Calibrated Nostalgia Bombs
How ‘Stillwater’ Director Tom McCarthy Challenged Matt Damon’s Hero Image and Tried to Capture Reality
‘The Velvet Underground’ Is an Unforgettable Look at an Unforgettable Band
‘Benedetta’ Demands to Know Who Decides God’s Will on Earth
‘Val’ Reckons With Val Kilmer’s Imperfect Life on Intimate Videotape
Paul Verhoeven’s ‘Benedetta’ Is Lesbian Nunsploitation Fit for a Plague
On the Ground at Cannes 2021, Where Spitting and Stars Reign
‘Annette’ Is a Wild Rock Opera About Exploitation—With a Creepy Puppet
Oliver Stone’s New JFK Doc to Dig Up “Conspiracy Fact” at Cannes
All of Hollywood’s Major Cancellations & Delays Caused by the Coronavirus
Avoid Jim Jarmusch’s ‘The Dead Don’t Die’ at All Costs if You Value Your Sanity
