Two Symphony Orchestras Tackle Wagner’s Supreme Masterpiece and Strauss’s First Opera with Mixed Results The American Symphony Orchestra returned recently to Carnegie Hall with the underrated 'Guntram,' championed by conductor Leon Botstein. By Christopher Corwin
‘Giulio Cesare’ Versus ‘Antony and Cleopatra’: Round Two Giulio Cesare is once again competing with Antony and Cleopatra, the latter this time a new work by John Adams that premiered at the Met on May 12. By Christopher Corwin
Michael Mayer’s Faux-Archaeologists Can’t Rescue His Entombed ‘Aida’ at the Met Mayer’s weak attempt to address opera’s recent struggles with its history of fetishization of “exotic” cultures adds nothing to the production. By Christopher Corwin
St. Thomas, Trinity Church, David Geffen and Carnegie Hall: The Many Ways to Handle ‘Messiah’ By Christopher Corwin
Asmik Grigorian’s Raw Passion Eclipsed Piotr Beczała’s Quiet Thunder at Carnegie Hall By Gabrielle Ferrari
Celebrating Czech Music at Carnegie Hall With Dvořák’s Piano Concerto and Janáček’s ‘Glagolitic Mass’ By Gabrielle Ferrari
The Most Influential People in the Art World Today By Dan Duray, Farah Abdessamad, Christa Terry and The Editors
Double Diva: Renée Fleming and Sonya Yoncheva Perform at Carnegie Hall and the Met By Christopher Corwin