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Carnegie International

A neoclassical museum hall with white columns and sculptures is occupied by a large, low rectangular structure supported by cylindrical pillars, its underside covered in printed newspaper pages and hovering over a tiled floor bordered by green carpet.

The Carnegie International Tests What “We” Still Means in a Fractured World

Following the suggested exhibition path is disorienting—the survey is deeply integrated into the collection, yet lacks a clear logic, turning the journey into a kind of scavenger hunt where visitors must identify which rooms belong to the quadrennial and which to the collection. 
By Elisa Carollo
17th International Architecture Exhibition Opening

The Most Important Art Biennials of 2026

As questions of access, locality and relevance grow more urgent, major institutional biennials—from Venice to Gwangju—will have to prove they can engage not just their immediate context but the fractured, shifting world they claim to reflect.
By Elisa Carollo
View of the Grand Palais Éphémère during Art Basel Paris, showing the vast glass-and-iron dome filled with rows of illuminated gallery booths and visitors walking through the fair floor.

Early Sales at Art Basel Paris See Buyers Favoring Substance Over Speculation

Preliminary reports suggest that the art market is regaining traction at every level, but with a sharper focus.
By Elisa Carollo
Image of a crane in a park.

Nicole Eisenman Unveils ‘Fixed Crane’ in Madison Square Park

By Elisa Carollo
Ingrid Schaffner; (Photo: Constance Mensh, courtesy of Institute of Contemporary Art, University of Pennsylvania)

Ingrid Schaffner to Curate the 57th Carnegie International in 2018

By Alanna Martinez
'Prince of Swords' (2013) by Eisenman, at far right, which was acquired by the Carnegie. (Photo by Greenhouse Media, courtesy the artist and Koenig & Clinton)

Carnegie Acquires Work From 2013 International by Guyton, Stark, Eisenman, Olowska, More

By Andrew Russeth
Installation view with Bidoun Library in background and instruments made from guns by Pedro Reyes.

The 2013 Carnegie International in Photos

By Andrew Russeth
A screenshot of the app. (Courtesy Carnegie Museum of Art)

The 2013 Carnegie International Has an App

By Andrew Russeth
A screenshot of the Carnegie International's blog. (Courtesy CI)

The 2013 Carnegie International Curators Have a Blog, and It’s Pretty Great

By Andrew Russeth
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