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Comedy Movies

Reviews for laughter-seekers who want more than just a synopsis. Sharp, witty critiques dissecting the humor, timing and performances that make or break a comedy. From blockbuster hits to indie gems, insights into what’s truly funny, what falls flat and why. Expect a blend of clever analysis, behind-the-scenes tidbits and a keen eye for comedic trends: the perfect destination for anyone looking to find their next great laugh on screen. Read more Movie Reviews.

An aging man in a newsboy cap listens as a red haired woman in a trenchcoat speaks. They're standing outdoors.

Best of TIFF: Jesse Eisenberg’s ‘The Debut’

Outside the occasional blockbuster, you're unlikely to experience mid-movie applause so thunderous that it drowns out whole lines of dialogue. And yet this film invites just that, with its funny, folksy, ludicrously invigorating tale of a mousey suburban housewife finding herself through the stage, before getting lost all over again.
By Siddhant Adlakha
A woman with pink ombre hair and thick gold hoop earrings looks up and to the side

Screening at SXSW: Boots Riley’s ‘I Love Boosters’

Down with the bourgeoisie? Absolutely. But must the revolution be so sloppy?
By Siddhant Adlakha
A man on the left and a woman on the right gaze into each other's eyes

Screening at Sundance: Gregg Araki’s ‘I Want Your Sex’

While not exactly a return to form, the filmmaker's first feature in a dozen years is nonetheless a welcome comeback.
By Siddhant Adlakha

‘Saturday Night’ Review: Not Live, Not Funny, Not Much

By Oliver Jones

‘My Old Ass’ Review: Poignant Coming of Age Story With A Time Traveling Twist

By Emily Zemler

‘The Front Room’ Review: A Horror-Comedy That Isn’t Quite Either

By Dylan Roth

‘Beetlejuice Beetlejuice’ Review: Pure, Genuine Fun (And Occasionally Gross)

By Emily Zemler

‘Jackpot!’ Review: This Glued-Together Action Comedy Is A Loser

By Emily Zemler
Susan Sarandon, Bette Midler, Sheryl Lee Ralph and Megan Mullally in 'The Fabulous Four'

‘The Fabulous Four’ Is the Latest Humiliation of Seniors Seeking Employment

By Rex Reed

‘Dìdi’ Review: A Poignant And Breathtaking Coming Of Age Story

By Oliver Jones

‘Fly Me to the Moon’ Review: Scarlett Johansson Shines in Space-Age Rom Com

By Emily Zemler

‘Beverly Hills Cop: Axel F’ Review: A Weak Nostalgia Trip You Can Take On Your Couch

By Oliver Jones

June Squibb on Finally Becoming a Leading Lady (and Action Star) at 94

By Ilana Kaplan

June Squibb Is Endlessly Fascinating in ‘Thelma’

By Rex Reed

‘Inside Out 2’ Review: Even the Animated Version of Puberty Is a Mixed Bag

By Emily Zemler

‘Babes’ Review: A Gross-Out Comedy That’s Hilarious, Inspiring, And Groundbreaking

By Oliver Jones

Was ‘Poolman’ Written With Crayons? Chris Pine Is a Hunk, Not a Director

By Rex Reed

‘The Fall Guy’ Isn’t a Satire of Hollywood’s Worst Instincts, It’s a Product Of Them

By Oliver Jones

‘Fall Guy’ Screenwriter Drew Pearce On Creating a Blue-Collar Hero’s Journey

By Emily Zemler

‘Coup de Chance’ Is Woody Allen’s Best Film in Years

By Rex Reed

‘Ghostbusters: Frozen Empire’ Review: Overstuffed, Unfunny, Not Scary

By Emily Zemler

‘American Dreamer’ Review: Shirley MacLaine and Peter Dinklage Are a Perfect Pair

By Rex Reed

‘Kung Fu Panda 4’ Review: A Nonstop Ballet of Cartoon Violence

By Oliver Jones

What to Watch on Streaming This Week: March 1-7

By Laura Babiak
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