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Newsletters

Comedy Movies

Reviews for laughter-seekers who want more than just a synopsis. Sharp, witty critiques dissecting the humor, timing and performances that make or break a comedy. From blockbuster hits to indie gems, insights into what’s truly funny, what falls flat and why. Expect a blend of clever analysis, behind-the-scenes tidbits and a keen eye for comedic trends: the perfect destination for anyone looking to find their next great laugh on screen. Read more Movie Reviews.

A woman with pink ombre hair and thick gold hoop earrings looks up and to the side

Screening at SXSW: Boots Riley’s ‘I Love Boosters’

Down with the bourgeoisie? Absolutely. But must the revolution be so sloppy?
By Siddhant Adlakha
A man on the left and a woman on the right gaze into each other's eyes

Screening at Sundance: Gregg Araki’s ‘I Want Your Sex’

While not exactly a return to form, the filmmaker's first feature in a dozen years is nonetheless a welcome comeback.
By Siddhant Adlakha
A gold-painted robot and a man in a feathered helmet stand in a crowded, dimly lit computer room filled with people working at desktop monitors, creating a surreal contrast between costume and setting.

Screening at NYFF: Radu Jude’s ‘Dracula’

It’s hard not to wonder if Jude assumes the film's intended audience isn’t on his level, resulting in a compromised piece that stops dead in order to explain its own jokes at length.
By Siddhant Adlakha

‘Such Brave Girls’ Review: Daddy Issues & Depression in a Darkly Funny Sitcom

By Laura Babiak

‘Lisa Frankenstein’ Review: Twisted, Horny, And Bloody Fun

By Dylan Roth

‘Suncoast’ Is Another Mediocre Coming-of-Age Movie That Makes Too Many Wrong Choices

By Rex Reed

‘Argylle’ Review: Ridiculous Fun Battles With Plot Hiccups

By Emily Zemler

‘Mean Girls’: Nothing to Come in 2024 Can Possibly Be Worse

By Rex Reed

‘Poor Things’: See It And Hate Yourself in the Morning

By Rex Reed

Barry Keoghan’s Jaw-Dropping ‘Saltburn’ Performance Can’t Be Over-Praised

By Rex Reed

‘American Fiction’: Jeffrey Wright’s Stunning Performance Leads One of the Best Casts of The Year

By Oliver Jones

‘Wonka’ Review: Big, Buoyant, Sometimes Ridiculous, And Great

By Emily Zemler

‘The Treasure of Foggy Mountain’ Review: Please Don’t Destroy Go Long With Mixed Results

By Dylan Roth

‘Next Goal Wins’ Review: Taika Waititi’s Soulless Soccer Story

By Laura Babiak

‘Quiz Lady’ Director Jessica Yu On Working With Awkwafina, Sandra Oh, And Paul Reubens

By Max Gao

‘The Holdovers’: A Quiet Miracle Full Of Humor and Heartbreak

By Oliver Jones

Review: Bill Burr’s ‘Old Dads’ is a Waste of Bill Burr

By Oliver Jones

‘El Conde’ Review: A Vampiric Satire That Overcomes Its Messy Middle

By Laura Babiak

‘Bottoms’ Review: This Summer’s Weirder, Bloodier, Gayer ‘Barbie’

By Laura Babiak

‘Strays’ Review: Is This Talking Dog Movie Too Crass, Too Sweet, Or Both?

By Emily Zemler

Director Josh Greenbaum On Making ‘Strays,’ An R-Rated Dog-Movie Buddy Comedy

By Cat Woods

‘Haunted Mansion’ Review: Disney Ride Transformed Into An Oddly Emotional Movie

By Emily Zemler

‘Barbie’ Review: Hilarious, Heart-Warming, Rebellious and Full of Sunshine

By Emily Zemler

‘The Miracle Club’ Review: Laura Linney, Kathy Bates And Maggie Smith Elevate Bland Sweetness

By Rex Reed
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