
Criticism


Review: Beanie Feldstein Grabs the Spotlight, Unsteadily, in ‘Funny Girl’

The ‘Whitney Biennial 2022: Quiet as It’s Kept’ Is Anything but Quiet

Review: ‘Elektra’ at the Met Opera With Nina Stemme and Lise Davidsen

Review: Is It Worth Checking into ‘Plaza Suite’ on Broadway?

Takesada Matsutani’s “Combine” Explores Process at Hauser & Wirth

Aleksandra Kurzak Left Much to Be Desired in the Met Opera’s ‘Tosca’

Sadie Barnette’s ‘The New Eagle Creek Saloon’ Commemorates Black Queer Life

The Met Opera Takes on Doomed Love and Inquisition in ‘Don Carlos’

Tomás Saraceno and the Spider Experience at The Shed
