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David Ebony

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David Ebony

Cary Loren, Mermaid and Angel (Niagara on Set), 1975/2011. (Photo: Courtesy of Matthew Marks Gallery)

The Observer’s Best Art, and Best Art Criticism, of 2015

A select of stand out art reviews from 2015
By Observer Arts
Untitled (1930) by Todros Geller. ( Alvia Urdaneta/ Collection of Bernard Friedman.)

Seeing Red: NYU’s Grey Art Gallery Revisits America’s Socialist Moment in Full

Once upon a time, serious artists were expected to take a firm political stand. Through their works and activities they addressed social injustices, problems of hunger, unemployment, economic inequity, and racial, ethnic and sexual prejudices that permeated everyday life in America. Art for art’s sake was regarded as merely a bourgeois conceit; artists were “culture workers” and the most important of them willingly abandoned their ivory tower to better serve the proletariat.
By David Ebony
Fernand Léger, Composition (The Typographer), 1918-19. (Courtesy 2014 Artists Rights Society (ARS), New York / ADAGP, Paris)

A New Geometry: David Ebony on a Cosmetics King’s Cubist Gems at The Met

Cubism shattered the conventions of virtually all art that came before it. Rebelling against the forms of Romanticism, Realism and Symbolism and rejecting the empty sentimentality of late 19th century art, this revolutionary movement, led by Picasso and Braque and launched in 1908, sought to reinvent the way everyday reality is perceived.
By David Ebony

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