Observer
  • Business
  • Art
  • Lifestyle
Newsletters
  • Business
    • Finance
    • Media
    • Technology
    • Policy
    • Wealth
    • Insights
    • Interviews
  • Art
    • Art Fairs
    • Art Market
    • Art Reviews
    • Auctions
    • Galleries
    • Museums
    • Interviews
  • Lifestyle
    • Nightlife & Dining
    • Style
    • Travel
    • Interviews
  • Power Lists
    • Nightlife & Dining
    • Art
    • A.I.
    • PR
  • About
    • About Observer
    • Advertise With Us
    • Reprints
Newsletters

directors

Palme D'Or Winners Photocall - The 79th Annual Cannes Film Festival

Director Cristian Mungiu Says ‘Fjord’ Is About the Limits of Freedom, Not Clashing Cultures

In a rare feat, the Romanian filmmaker has now won Cannes' top prize twice.
By Stephen Garrett
A woman, lit with dramatic dark pink lighting, stands in front of a blue background, seen from the shoulders up

Nicolas Winding Refn On the Genesis of ‘Her Private Hell’

Following a near-death experience and a series of increasingly dreamlike projects, the director seems to have forsaken verisimilitude for a dark fairy-tale take on life.
By Stephen Garrett
A young girl in a sleeveless dress stands barefoot on grass at night, her head bowed and body illuminated against a dark wooded backdrop.

The World as Seen Through Yorgos Lanthimos’s Lens

The director of 'Poor Things' and 'The Favourite' has spent years developing a photographic practice as singular as his films.
By Jordan Riefe
A dramatic moment from the opera shows several performers in striped concentration camp uniforms kneeling and covering their faces, while a man stands nearby holding a sketchpad and other actors converse at a dimly lit table in the background.

Bartlett Sher On Theater as a Catalyst for Change

By Annie Levin
Manhattan Theatre Club's 2025 Benefit Performance Of Stephen Sondheim's "Old Friends"

Manhattan Theatre Club’s Lynne Meadow On Staging Her Next Chapter

By Harry Haun
A man in a cream-colored jacket and large pink-tinted sunglasses stands close to the camera with a white duck perched on his shoulder, its beak turned toward the viewer.

The Power of ‘Yes!’ and the Limits of Dissent at Cannes

By Siddhant Adlakha
A woman in a black turtleneck and gray skirt sits on a padded bench

MoMA’s La Frances Hui On Curating Director Johnnie To

By Dan Duray

Matthew López On Directing The Queer Rom-Com ‘Red, White & Royal Blue’

By Emily Zemler
Bald middle aged man poses next to younger woman with brown hair.

Elizabeth Smith, Paul Pressler to Join Revlon’s Post-Bankruptcy Board

By Alexandra Tremayne-Pengelly

Dave Franco On Directing His Rom-Com ‘Somebody I Used to Know’

By Emily Zemler

The Extreme Gender Bias in Hollywood Employment Is Not Improving

By Isabella Simonetti

Director Edson Oda Walks Us Through His Soulful, High-Concept Film ‘Nine Days’

By Carolyn Hinds

‘Destroyer’ Director Karyn Kusama on Transforming Nicole Kidman Into a Rage-Filled L.A. Cop

By Eric Francisco
Bernardo Bertolucci, Nicolas Roeg and Ricky Jay.

Bernardo Bertolucci, Nicolas Roeg, Ricky Jay and the Problem With Obituaries

By Film Crit Hulk
David Lynch, I Burn Pinecone, 2009.

Want to Understand ‘Twin Peaks’? Look at David Lynch’s Paintings First

By Alanna Martinez
Win Wenders and Jens Harzer on set of Aranjuez.

Wim Wenders: The Attentive Auteur

By Jamie Manelis
Ruth Negga, star of the Jeff Nichols' film Loving.

Film Festivals’ Female Problem: Women Defy Odds and Demand Room at Toronto Table

By Thelma Adams
The cast of The New Morality with director Jonathan Bank.

Mint Theater: The Lost-and-Found (Jonathan) Bank

By Harry Haun
VENICE, ITALY - MAY 31: Julian Schnabel attends the press preview of 'Permanently Becoming And The Architecture of Seeing' at Correr Museum at on May 31, 2011 in Venice, Italy. The exhibition will run from June 5 to November 27, 2011.

The Many Notable Times Julian Schnabel Has Worn Pajamas in Lieu of Real Clothes

By Alanna Martinez
Cynthia Nixon. (Photo by Serge Nivelle)

Cynthia Nixon Makes Her Directorial Debut With a Thriller on Office Treachery

By Harry Haun
Charlie Day on It's Always Sunny in Philadelphia.

Bird(man) Law: ‘Always Sunny’ Director Matt Shakman on Inspiration for ‘Charlie Work’

By Drew Grant

To Do Friday: See Robert Altman’s ‘Nashville’ at MoMA

By Matthew Kassel
Tony Scott (Patrick McMullan)

Director, Producer Tony Scott Dead at 68 After Reported Suicide Jump

By Drew Grant
Villager!

A Palindrome Pad? Director Todd Solondz Buys $2 M. Greenwich Village Loft

By Kim Velsey
More
  • ART
  • BUSINESS
  • LIFESTYLE
  • POWER LISTS
  • INTERVIEWS
  • ABOUT
  • ADVERTISE
  • CONTACT
  • NEWSLETTERS
  • RSS FEEDS
  • SITEMAP
  • TERMS
  • PRIVACY
  • REPRINTS
  • Privacy
  • Terms
  • Cookie Settings
  • Do not sell my data
Powered by WordPress VIP

We noticed you're using an ad blocker.

We get it: you like to have control of your own internet experience.
But advertising revenue helps support our journalism.

To read our full stories, please turn off your ad blocker.
We'd really appreciate it.

How Do I Whitelist Observer?

How Do I Whitelist Observer?

Below are steps you can take in order to whitelist Observer.com on your browser:

For Adblock:

Click the AdBlock button on your browser and select Don't run on pages on this domain.

For Adblock Plus on Google Chrome:

Click the AdBlock Plus button on your browser and select Enabled on this site.

For Adblock Plus on Firefox:

Click the AdBlock Plus button on your browser and select Disable on Observer.com.

Then Reload the Page