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Don Giovanni

Opera singers on a stage dominated by a large set featuring buildings stand in groups.

The Met’s New ‘Don Giovanni’ Is a Resounding Musical Success

A talented cast and Nathalie Stutzmann's strikingly precise conducting carry the production.
By Christopher Corwin

Spring Opera and Dance Preview: 12 Reasons To Jump And Sing

From an opera about a rising boxer to dance inspired by Kandinsky’s watercolors, this season pushes boundaries in all directions.
By David Cote

The Met Casts Anna Netrebko as ‘Aida’ Despite Her Past Controversy in the Role

Just last summer, Netrebko defended performing the role of Aida, an enslaved Ethiopian princess, in an Instagram post. The Met has decided to cast her again in the role, for their annual gala, no less.
By Helen Holmes

Who Is Don Giovanni? Cornelius Meister’s Met Debut Tackles the Debated Question

By Mary von Aue
A minimalistic but terrifying finale to 'Don Giovanni'

Lincoln Center’s Small ‘Don Giovanni’ Is Just What Mozart Would Have Wanted

By James Jorden
La Boheme.

‘Tristan und Isolde’ Soars, While ‘Don Giovanni’ and ‘La Bohème’ Fail to Impress

By James Jorden
Hell arrives to claim Peter Mattei’s Don. (Photo by Marty Sohl/Metropolitan Opera)

It’s All About That Baritone in the Met’s ‘Don Giovanni’

By James Jorden

The Very Best of the Fall Opera Season

By Zachary Woolfe

City Opera’s Long Weekend

By Zachary Woolfe

New Voices, Slimmer Voigt Conspire to Lift the Met

By Charles Michener

Two Baddies Take the Stage: It’s Scoundrel Time Again

By Charles Michener
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