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Newsletters

Doug Varone

Sterling Hyltin in The Nutcracker. (Photo by Paul Kolnik)

Hostess to the Land of Sweets: Comparing The Nutcracker’s Sugarplum Fairies

For students of New York City Ballet, it is, among other things, a learning tool for younger dancers and a gauge of how management (i.e. Peter Martins) feels about them. And appearing in the central role, the Sugarplum Fairy, is a rite of passage in the journey from member of the corps to ballerina. That’s why critics are so eager to keep up with casting—to follow a talented dancer from Hot Chocolate to Coffee to Marzipan to Dewdrop to Sugarplum, though not always in that order.
By Robert Gottlieb

March Dance: In Like a Lion, Out Like a Graham!

After a dance week of occasional ups and all too many downs, Mark Morris came to the rescue with a
By Robert Gottlieb

From Merce to Martha to Morris, the Spring Dance Performances You Won’t Want to Miss

Okay, dance people, buckle up–March is going to be a bumpy month. It’s a modern-dance invasion. (Paul Taylor’s come and
By Robert Gottlieb

City Ballet’s Ceaseless Work in Progress; Varone’s Meditation on Daniel Pearl

By Robert Gottlieb

The Varone Company: Stylish, Kinetic, Ravishing

By Robert Gottlieb

Doug Varone Divides Opinion; Bayadere Challenges A.B.T.

By Robert Gottlieb

Varone’s Passionate Whirlwind: Emotions, Honest and Urgent

By Robert Gottlieb

Hubbard Street Goes Euro; Varone Goes the Distance

By Robert Gottlieb

Ailey Wrestles With Its Curse; Varone Bursts Out in Triumph

By Robert Gottlieb
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