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Drama Movies

A thoughtful and engaging destination for film enthusiasts who crave deep storytelling. Insightful critiques that explore the emotional depth, character development and narrative complexity that define the best dramas. A mix of reviews on both mainstream hits and indie treasures, analyzing the performances, direction and cinematography that bring these stories to life. Expect a blend of sharp analysis, contextual background and thoughtful commentary for discerning viewers who appreciate the power of drama to move, challenge, and inspire. Read more Movie Reviews.

A close-up film still shows a group of young men in military-style uniforms crowded tightly together, shouting and laughing around a central figure.

Lukas Dhont’s ‘Coward’ Renders Queer Desire Against the Machinery of War

The film, for all its faults, subverts hyper-masculine war tropes to focus on intimacy, queer desire and art as a tool of survival.
By Siddhant Adlakha
Two teenagers descend an outdoor staircase in Italy.

Screening at Cannes: Marine Atlan’s ‘La Gradiva’

The Cannes Critics' Week selection (and Grand Prix winner) marks the feature debut of Atlan, who crafts an enormously affecting tale of volatile youths and their most thorny self-discoveries.
By Siddhant Adlakha
A close-up of two people sitting on a green sofa, a woman in a red top on the left and another woman in a light green sweater on the right, both looking directly at the camera with serious expressions, with blurred background furniture and a red flower vase.

Screening at Cannes: Pedro Almodóvar’s ‘Bitter Christmas’

Despite its name, this is less a holiday movie and more of a Pirandello-inflected meditation on storytelling, creativity and the sometimes morally dubious origins of inspiration.
By Stephen Garrett
A family poses in front of a Nordic landscape

Screening at Cannes: Cristian Mungiu’s ‘Fjord’

By Siddhant Adlakha
A nun in a white habit kneels beneath a crucifix inside a stark tiled chapel surrounded by rows of other nuns.

Screening at Cannes: Ken Russell’s ‘The Devils’

By Stephen Garrett
A man and a woman in wedding garb react jubilantly while holding hands in front of a red car in what appears to be a paused video

Screening at the Berlin Film Festival: Alain Gomis’s ‘Dao’

By Siddhant Adlakha
A black and white image of a woman in a hat and high-necked coat with a piece of straw stuck in her mouth

Screening at the Berlin Film Festival: Markus Schleinzer’s ‘Rose’

By Siddhant Adlakha
A man on the left and a woman on the right gaze into each other's eyes

Screening at Sundance: Gregg Araki’s ‘I Want Your Sex’

By Siddhant Adlakha

The Best Documentaries of 2025

By Siddhant Adlakha
A young man in a military uniform stands in front of posters depicting Nazi soldiers, looking thoughtful and concerned.

‘Truth & Treason’ Is a Sobering Drama About the Youngest Victim of the Third Reich’s Brutality

By Rex Reed
A man in a white dress shirt and a woman in a wedding dress sit at the open back of a white van in the middle of a rocky desert, while another man stands nearby in jeans and a blue T-shirt.

Now Screening: Jafar Panahi’s ‘It Was Just an Accident’

By Oliver Jones
A woman leans her head on a man's shoulder as they sit on the floor and look together at a medium-size brown envelope.

Screening at NYFF: Jim Jarmusch’s ‘Father Mother Sister Brother’

By Siddhant Adlakha
A man and a woman sit facing each other in a dimly lit wooden room, appearing to argue or have an intense conversation on a bed.

Screening at NYFF: Bradley Cooper’s ‘Is This Thing On?’

By Siddhant Adlakha
A young man with medium length hair and large glasses is silhouetted by the sea

Screening at BFI London Film Festival: Sophy Romvari’s ‘Blue Heron’

By Siddhant Adlakha
A woman in an elegant gown and pearls stands at the center of a crowded party, her gloved hand raised to her chest as she gazes ahead with a poised yet intense expression.

Screening at TIFF: Nia DaCosta’s ‘Hedda’

By Siddhant Adlakha
An actor in a bright green shirt forcefully holds another man in a striped button-down shirt while police officers in uniform move toward them inside a large building lobby.

Screening at Venice: Gus Van Sant’s ‘Dead Man’s Wire’

By Siddhant Adlakha
A woman in a gray tank top leans her head on the shoulder of a second woman wearing a black tank top.

Screening at Venice: Anuparna Roy’s ‘Songs of Forgotten Trees’

By Siddhant Adlakha
Olivia Colman and Benedict Cumberbatch sit on swings looking sad in in THE ROSES. Photo by Jaap Buitendijk, Courtesy of Searchlight Pictures. © 2025 Searchlight Pictures All Rights Reserved.

‘The Roses’ Is an Egregious Waste of Time and Talent

By Rex Reed
Kristin Scott Thomas, wearing a floral crown and holding a bouquet, walks down a leafy path in a white dress and shawl, flanked by Emily Beecham in a purple floral dress, Sienna Miller in a yellow wrap dress and black hat, and Scarlett Johansson in a navy blazer and teal dress.

‘My Mother’s Wedding’ Rises Above the Seasonal Sludge

By Rex Reed
Pierce Brosnan stands outdoors in rugged Irish countryside, dressed in a weathered coat and scarf, carrying a walking stick and a backpack with wooden planks.

‘Four Letters of Love’ Delivers a Long, Damp Script to Nowhere

By Rex Reed
Kathleen Chalfant, with short white hair and gold hoop earrings, sits at a dinner table in warm light, her hands folded under her chin, wearing a dark velvet top and a soft, knowing smile.

‘Familiar Touch’ Is a Rare and Compassionate Work of Art

By Rex Reed
A man in a striped sweater stands beside another man in a differently striped sweater, both wearing green diamond-shaped headpieces, during a scene from Twinless.

Screening at Tribeca: James Sweeney’s ‘Twinless’

By Siddhant Adlakha

Screening at Cannes: Lynne Ramsay’s ‘Die, My Love’

By Siddhant Adlakha

Screening at Cannes: Jennifer Lawrence and Robert Pattinson In ‘Die My Love’

By Stephen Garrett
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