Focus Features
‘Last Night in Soho’ Co-Writer Identifies the True Horrors of the Psychological Thriller
How the ‘Last Night in Soho’ Costume Designer Traverses Time Through Fashion
‘The Card Counter’ Finds Oscar Isaac Operating at the Peak of His Abilities
Robin Wright Pushed Past Pain, Stress and Bears to Find ‘Land’
‘Let Him Go’ Is a Dangerous and Septic Quagmire of Horror
Richard Jenkins Agreed to ‘Kajillionaire’ After Reading Two Pages of the Script
Exclusive: Lulu Wang to Direct ‘Like Father, Like Son’ English-Language Remake for Focus
The AMC-Universal Deal Leaves Other Studios No Choice But to Follow
‘Irresistible’ Is a Failure Built on Jon Stewart’s Prior Successes
June Diane Raphael Relishes the “Demented Women” She Plays
The ‘Never Rarely Sometimes Always’ Producers on Changing the Abortion Conversation
From James Bond to Mulan, Here Are 11 Films We Can’t Wait to See This Spring
Mark Ruffalo’s ‘Dark Waters’ Is a Perfect Movie
Studio Exec Originally Wanted Julia Roberts to Star as Harriet Tubman 25 Years Ago
With ‘Harriet,’ Cynthia Erivo Takes a Giant Leap Towards Stardom
2020 Oscars Predictions: You Can’t Win an Award in September, But You Can Lose One
NBCUniversal Unveils Initial Content Lineup for Its ‘Peacock’ Streamer
TIFF 2019: Three Movie Deals To Take Note Of (So Far)
TIFF 2019: ‘Waves’ Is the Next Great Movie and the Epitome of A24’s Successful Model
