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Gutai

Sebastian Errazuriz's installation, titled The awareness of uncertainty, dangles above fairgoers.

The Armory Show’s Great Challenge: How to Surprise Visitors Who Have Seen It All

There needs to be at least some appeal (besides networking) for non-buyers to come out to Manhattan’s far West side and view art on what is traditionally one of the most unpredictable weeks for weather in the year. And big art is a pretty good reason.
By Alanna Martinez
Artwork by Francisco Vidal on view at London gallery Tiwani Contemporary's booth in the Armory Focus: African Perspective section.

At Armory Show, No Signs of Art Market Slowing

At high noon on Wednesday, the aisles on Piers 92 and 94 on Manhattan's west side were already packed with eager collectors and celebrity enthusiasts looking to buy.
By Alanna Martinez

‘Gutai: Splendid Playground’ at the Guggenheim Museum

Alexandra Munroe and Ming Tiampo’s “Gutai: Splendid Playground” may just be the best show in town. It is an immersive,
By Maika Pollack

Most Recent Posts on Observer

An outdoor exhibition showing four women and two children looking at three large black-and-white portraits of elderly men displayed on standing frames on reddish dirt.

For Collector Marie-Cécile Zinsou, Building a Museum in Benin Was Just the Beginning

By Gameli Hamelo

Bloomberg CTO Shawn Edwards Is Rebuilding the Terminal Into an A.I. That Can’t Bluff

By Merin Curotto

At Sun Valley, A.I. Isn’t the Only Competitive Advantage That Matters

By Tania Lennon and Ric Roi
An artist stands in a studio beside large red sculptural forms, with shelves of materials, cardboard boxes and tall windows behind her.

At Lisson Gallery, Kelly Akashi Gives Resilience Form

By Elisa Carollo
A black and white woodblock print

One Fine Show: “Deep Cuts, Block Printing Across Cultures” at LACMA

By Dan Duray
A moody interior at The Future Perfect shows a brown sofa facing a wall of garden-facing windows, with sculptural objects outside and several low tables with patchwork-style surfaces in the foreground.

The Future Perfect’s Laura Young Makes the Case for Design as the Next Collecting Frontier

By Elisa Carollo
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