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Horror Movies

Reviews of the best new horror movies. Return to all Movie Reviews.

Getty Images Portrait Studio Presented By IMDb And IMDbPro At The Intercontinental Hotel Toronto, 2025

Samara Weaving’s Rise From Scream Queen to Box Office Draw

Her rapid rise is a testament to what can happen when you don’t scorn a genre that’s proven itself to be an ambitious acting vehicle.
By Bee Delores
Alt Text: A middle-aged woman in a winter knit hat with red and white pattern looks distressed and frightened in a snowy, icy environment with icicles visible in the background and what appears to be blood or red staining in the foreground.

Emma Thompson Produces Her Own Career Nightmare In ‘Dead of Winter’

Like almost every other actor of renown in today's diminished world of second-rate movies, Emma Thompson is forced to face the challenge of inventing her own projects to keep her film career alive. Times are bad all over.
By Rex Reed

‘Death of a Unicorn’ Review: Good Idea, Mediocre Execution

A24’s fantastical, pharmaceutical monster movie has a promising premise, but it’s just an okay film that doesn’t lean into its strengths.
By Laura Babiak

‘Knock at the Cabin’ Review: Masterfully Made, But Forgettable

By Dylan Roth

‘Blood’ Review: Dog Bites Boy, Boy Drinks Blood In This Creep-Show Bomb

By Rex Reed

‘M3GAN’ Review: A Sharply Funny Horror Comedy About A Robot Doll On A Killing Spree

By Dylan Roth

‘Bones and All’: A Blood-Filled Two-Hour Trash Fest of Dreamy-Eyed Cannibals

By Rex Reed

‘The Menu’: Vicious, Delicious, And Horrifying

By Rex Reed

‘Halloween Ends’: A Horror Showdown That Confounds Expectations

By Dylan Roth

‘Beast’ Elevates Its Horror and Dumb Thrills With a Sense of Loss (And Idris Elba)

By Oliver Jones

‘Beast’ Is a Waste of Time and Idris Elba

By Rex Reed

‘Bodies, Bodies, Bodies’ Is Agatha Christie By Way of TikTok

By Emily Zemler

‘Nope’ Delivers Scares But They’re Pretty Far Apart

By Dylan Roth

‘#MeToo’ Horror Thriller ‘She Will’ Has Its Unconventional Moments

By Rex Reed

David Cronenberg’s ‘Crimes of the Future’ Is a Senseless Collection of Horrifying Garbage

By Rex Reed

Misogyny Is the Quiet, Unsettling Horror in ‘Men’

By Dylan Roth

‘Morbius’ Is a Vampire Movie That Really Sucks, But Not in A Good Way

By Emily Zemler

‘Fresh’ is ‘Fifty Shades of Grey’ with Tabasco Sauce

By Rex Reed

The New ‘Scream’: Do You Like Reliable Cheap Thrills?

By Siddhant Adlakha

Much of Edgar Wright’s Overwrought ‘Last Night in Soho’ Could Be Deleted At No Cost to the Narrative

By Rex Reed
Halloween Kills Review

‘Halloween Kills’ Leaves the Franchise Cold and Dead

By Oliver Jones
Titane Review

‘Titane’ is a Twisted Exploration of Gender, Violence and Metal

By Siddhant Adlakha

‘Don’t Breathe 2’ Is a Gothic, Gore-Filled Fable That Tastes a Bit Stale

By Oliver Jones

‘Old’ Is M. Night Shyamalan’s Latest Slogging, Asinine Chore

By Rex Reed
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