No Limits: Linguist Julie Tetel Andresen Pushes the Boundaries of the Romance Novel
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Horror
‘Beast’ Elevates Its Horror and Dumb Thrills With a Sense of Loss (And Idris Elba)
Much of Edgar Wright’s Overwrought ‘Last Night in Soho’ Could Be Deleted At No Cost to the Narrative
Ditch the Other Zombie Shows and Watch ‘Kingdom’ on Netflix Now
‘Beneath Us’ Is a Zero-Star Farrago of Tasteless Stupidity
‘The Invisible Man’ Holds You in an Emotional Vise Grip
Sitting Through Horror Film ‘The Lodge’ Feels Like Sitting Through Purgatory
‘The Turning’ Is the Horror Movie Equivalent of Processed Cheese Sauce
Is There Even a Boundary Between Comedy and Horror in 2019?
Dennis Quaid Takes a Trip to the Dark Side in Wacko Thriller ‘The Intruder’
Why Aren’t There More Art-World Horror Films Like Jake Gyllenhaal’s ‘Velvet Buzzsaw’?
‘Sharp Objects’ Is a Show Worth Watching as It Unfolds
How to Choose an Outfit for Murder: The Clothes of New Netflix Horror ‘1922’
Go ‘Inside the Exorcist’ With New Podcast Chronicling Story Behind the Film
Syfy’s Purge TV Show Will Cover All The Other Days of the Year, and We Have Thoughts
All Our Hopes and Fears About Syfy’s Forthcoming ‘Purge’ TV Show
The Food Network Produced the Best Horror Movie of the Year
Artist Turns Classic Love Songs Into Incredible Stephen King Book Covers
Escape the Horror of Reality With a Really Good Horror Movie
‘Stranger Things’ Composers S U R V I V E Lead the New Synth Renaissance
