Reid Walker On the Infrastructure Gap Holding Back Native American Art The collector says recognition alone cannot compensate for the infrastructure, representation, knowledge and professional networks still lacking. By Elisa Carollo
Anna Tsouhlarakis and Native Visibility at the Whitney Biennial Her spiked horse lingers in memory, a testament to how one artist can both anchor and animate a collective Indigenous presence. By Petala Ironcloud
In Jeffrey Gibson’s “An Indigenous Present,” Native Art Beyond Representationalism The show’s cross-generational pairings surface the institutional separations that kept Native artists from forming the kinds of networks modernism took for granted. By Petala Ironcloud
One Fine Show: “The Stars We Do Not See, Australian Indigenous Art” at the National Gallery of Art By Dan Duray
Rember Yahuarcani On Wielding Paint as a Tool of Cultural Preservation and Resistance By Elisa Carollo
Christie’s Secures Another Major Consignment in Max Berry’s Encyclopedic Art Collection By Elisa Carollo
Sara Flores and the Shipibo Community’s Journey from the Amazon to the Venice Biennale By Elisa Carollo
Indigenous Futurism, Place and Kinship: An Interview with Crystal Bridges’ Jordan Poorman Cocker By Dan Duray
‘Sell Painting, Buy Land’: MAHKU Brings Voices of Indigenous Resistance to Art Basel Miami Beach By Elisa Carollo
With a New Model, Forge Project Is Putting Indigenous Art at the Forefront By Alexandra Tremayne-Pengelly