Observer
  • Business
  • Art
  • Lifestyle
Newsletters
  • Business
    • Finance
    • Media
    • Technology
    • Policy
    • Wealth
    • Insights
    • Interviews
  • Art
    • Art Fairs
    • Art Market
    • Art Reviews
    • Auctions
    • Galleries
    • Museums
    • Interviews
  • Lifestyle
    • Nightlife & Dining
    • Style
    • Travel
    • Interviews
  • Power Index
    • Nightlife & Dining
    • Art
    • A.I.
    • PR
  • About
    • About Observer
    • Advertise With Us
    • Reprints
Newsletters

Indigenous Art

A white sculpture by Anna Tsouhlarakis shows a horse’s head fitted with multiple white human arms pointing outward and spears mounted behind it, creating a striking hybrid monument displayed inside a gallery.

Anna Tsouhlarakis and Native Visibility at the Whitney Biennial

Her spiked horse lingers in memory, a testament to how one artist can both anchor and animate a collective Indigenous presence.
By Petala Ironcloud

In Jeffrey Gibson’s “An Indigenous Present,” Native Art Beyond Representationalism

The show’s cross-generational pairings surface the institutional separations that kept Native artists from forming the kinds of networks modernism took for granted.
By Petala Ironcloud
A video still of a women in an orange room lazing on the floor and gazing into a mirror

One Fine Show: “The Stars We Do Not See, Australian Indigenous Art” at the National Gallery of Art

This exhibition offers work drawn from under-shown traditions but offers broad context to visitors who take seriously its advice about stepping outside of the self.
By Dan Duray
Mound B from Atop Mound A (Great Temple Mound), Etowah Mounds, Near Cartersville, Georgiaca. 1250 CEThis black and white photograph by Tom Pattonshows one of many large Mississippian period mound centers that dotted the landscape of eastern North America before European contact.

Exhibition Reveals Stories of America’s Very Own Ancient Earthworks

By Alanna Martinez
Angst 3, Anne Imhof, 18. and 19. October 2016, 19h–23h, Musée d’art contemporain Montreal.

The Montreal Biennial Is a MasterClass in How to Ask Big Questions With Art

By Alanna Martinez
Gagosian.

Gagosian Owes $4.3M to NY State, Leo DiCaprio Hosts Celeb-Filled Charity Auction

By Alanna Martinez
PORTSMOUTH, ENGLAND - JULY 19: Henry VIII's warship, the Mary Rose after a £5.4m museum revamp on July 19, 2016 in Portsmouth, England. The ship, which was raised from the Solent in 1982, was launched in Portsmouth in 1511 and sank in 1545 at the Battle of the Solent.

Henry VIII’s Warship Goes on View, New Bill Would Block Export of Sacred Artifacts

By Alanna Martinez
Protestors occupying the Guggenheim’s Rotunda on May 1, 2015.

Guggenheim Halts Talks With Labor Group, James Franco Defends His Art—and More

By Alanna Martinez
  • ART
  • BUSINESS
  • LIFESTYLE
  • POWER LISTS
  • INTERVIEWS
  • ABOUT
  • ADVERTISE
  • CONTACT
  • NEWSLETTERS
  • RSS FEEDS
  • SITEMAP
  • TERMS
  • PRIVACY
  • REPRINTS
  • Privacy
  • Terms
  • Cookie Settings
  • Do not sell my data
Powered by WordPress VIP

We noticed you're using an ad blocker.

We get it: you like to have control of your own internet experience.
But advertising revenue helps support our journalism.

To read our full stories, please turn off your ad blocker.
We'd really appreciate it.

How Do I Whitelist Observer?

How Do I Whitelist Observer?

Below are steps you can take in order to whitelist Observer.com on your browser:

For Adblock:

Click the AdBlock button on your browser and select Don't run on pages on this domain.

For Adblock Plus on Google Chrome:

Click the AdBlock Plus button on your browser and select Enabled on this site.

For Adblock Plus on Firefox:

Click the AdBlock Plus button on your browser and select Disable on Observer.com.

Then Reload the Page