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James Fuentes

A row of circular video screens displaying fragmented faces and text is installed across the back of a historic hall with arched architectural details.

The Best Exhibitions to See in L.A.

From Julia Stoschek’s cinematic takeover of the Variety Arts Theater to the high-voltage visions of Murakami, Quarles and Kahraman, these shows capture a city navigating turbulence not by retreating, but by doubling down on ambition and imagination.
By Elisa Carollo
A crowd lines up at the entrance of the Javits Center under large red and white signs reading “The Armory Show.”

A Brisk Start to the Armory Show Suggests Optimism as the Market Adapts to New Rhythms

“People are excited to be ‘back to school'—both dealers and collectors,” David Nolan told Observer after reporting strong opening day sales.
By Elisa Carollo

Most Recent Posts on Observer

This secluded property in rural N.H. has hosted some of the world's greatest artists

Why Artist Residencies May Be Culture’s Best Defense Against Automation

By Chiwoniso Kaitano
U.S. Secretary of War Pete Hegseth gives a State of the Force address at Marine Corps Base Quantico on September 30, 2026 in Quantico, Virginia.

Alex Karp, Palmer Luckey and the Pentagon’s New Defense-Tech Order

By Mónica Marie Zorrilla
A spacious installation view of Ostillo Art Foundation in Austin, with sculptural busts on black pedestals and contemporary artworks displayed across white gallery walls.

With Ostillo Art Foundation, Collector René Campos Wants to Challenge How Texas Sees Art

By Elisa Carollo

The Art Basel and UBS Collecting Survey Shows Gen Z Setting the Pace, and the Megafair Is Remaking Itself to Keep Up

By Elisa Carollo
Designer Demna Gvasalia poses with his award after being named winner of the International Ready-to-Wear Designer award during the British Fashion Awards 2016.

Demna’s Power at Gucci Goes Beyond the Runway

By Daniella Nicola
A group of men in shirtsleeves and ties sit in a conference room with a projector in the background.

Screening at New York Film Festival: Tom McCarthy’s ‘A Statement’

By Siddhant Adlakha
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