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JO-HS

A crowd lines up at the entrance of the Javits Center under large red and white signs reading “The Armory Show.”

A Brisk Start to the Armory Show Suggests Optimism as the Market Adapts to New Rhythms

“People are excited to be ‘back to school'—both dealers and collectors,” David Nolan told Observer after reporting strong opening day sales.
By Elisa Carollo
A large crowd waits in a long line beneath a bright pink and red banner marked “ENTRANCE” at a convention center, with visible signage inside pointing to a VIP lounge.

Broader Vision, Sharper Focus: Kyla McMillan On The Armory Show’s Next Chapter

"It’s what makes us unique: we matter not just to New York but to the entire North American region,” the fair director told Observer.
By Elisa Carollo
A minimalist white-walled gallery filled with fragmented, pale pink classical-style columns and architectural elements arranged across the floor and mounted in small wall displays, evoking the ruins of an ancient site.

What CLEARING’s Closure Tells Us About the Fragile Economics of Art Galleries

Dealers, especially those focused on primary market work, may be running more often than not on razor-thin or nonexistent profit margins.
By Elisa Carollo
Gallery booth beneath a vaulted glass ceiling featuring abstract paintings in bold colors—red, blue, purple, black, and yellow—paired with large metallic and ceramic sculptures on white pedestals, all arranged in a minimalist, high-contrast setting.

Frieze and NADA New York’s Early Sales Signal Buyer Confidence

By Elisa Carollo
People in a old building looking at art

Material and Salón ACME Open to Enthusiastic Crowds as Dealers Creatively Solve Customs Delays

By Elisa Carollo
Image of a sculpture of a horse head on teh floor on a red carpet

Observer’s Guide to the Gallery Shows Not to Miss During Mexico City Art Week

By Elisa Carollo
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