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Newsletters

Les Liaisons Dangereuses

The cast of Cruel Intentions.

Sexual Awakenings and ’90s Nostalgia Fuel the ‘Cruel Intentions’ Musical

The Cruel Intentions musical is revisiting the cult classic movie with a sold out LPR run, complete with jaded Upper East Side teens and an iconic '90s soundtrack. 
By Margaret Abrams
Playwright and screenwriter Christopher Hampton.

Living ‘Dangereuses’: Playwright Christopher Hampton on Reviving ‘Les Liaisons’

Christopher Hampton has the singular distinction of being the only person who ever lost a Best Play Tony and, then, won a Best Screenplay Oscar—for the same property.

This property was his particular masterpiece, Les Liaisons Dangereuses (or, as it’s still known among the movie masses, Dangerous Liaisons), and there’s a kind of poetic justice embedded in his feat. If you consider how many self-effacing literary bases he covers (adaptor, translator, opera librettist), it’s comforting to know that a writer’s original creation can occasionally, no matter how circuitously, finish first.

By Harry Haun
Cate Blanchett and Richard Roxburgh in The Present.

8 of Broadway’s Best Bets for Fall 2016

The shows we think you’ll fall in love with this autumn
By John Bonazzo

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An exhibition wall displays a grid of patterned textile squares, each centered with a human skull, beneath exposed wooden ceiling beams and linear lights.

Grażyna Kulczyk Has Spent 50 Years Collecting Artists Who Were Difficult to Place

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A business man stands at the base of a staircase framed by a keyhole

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By Mark Valentino
Weisman Art Museum, Minneapolis, Minnesota

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By Dani Lamorte
Vintage souvenir linen postcard published c. 1950 in series titled "Oakland Berkeley and Alameda East Bay Metropolitan Area" depicting a view of the University of California at Berkeley Campus UC Berkeley in the East Bay. The postcard's polished, idealized composition is reflective of the aesthetic institutions have historically used to sell themselves.

Higher Education Doesn’t Need a Better Story. It Needs a More Believable One.

By Alexandra Sollberger
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