Soprano Aprile Millo Is a Case Study in Star Quality
Who Is Don Giovanni? Cornelius Meister’s Met Debut Tackles the Debated Question
The Met’s Double Bill of ‘Iolanta’ and ‘Bluebeard’s Castle’ Proves Opera’s Potential to Terrify
Debussy Is the Only Star on Show in the Met’s Uninspired ‘Pelléas et Mélisande’
The Met Opera’s ‘Pelléas et Mélisande’ Conjures a Disturbing Vision of the Downside of Love
Anna Netrebko Is the Ultimate Diva in the Met’s ‘Adriana Lecouvreur’
The Met Turns the Tragedy of ‘Traviata’ Into Dull Disney Schmaltz
The Met’s Mediocre ‘Trittico’ Doesn’t Do Plácido Domingo (Or Puccini) Justice
