In the Met’s Many Revivals, Sometimes Second Casts Finish First
In many cases, the second, third and even fourth casts surpassed the season premieres that tend to attract the most attention.
Metropolitan Opera
An authoritative voice for opera enthusiasts and curious newcomers alike. Insightful critiques capturing the grandeur of the Met’s performances, from the vocal brilliance of the stars to the intricacies of the staging and direction—diving deep into each production, analyzing how it measures up to the Met’s storied legacy while providing context for its place in the broader operatic canon. Expect sharp, knowledgeable opinions, behind-the-scenes insights, and a celebration of the art form’s enduring power. Where passion for opera meets expert analysis, all set against the iconic backdrop of the Met. Read more about Opera.
‘Three! Seven! Ace!’: The Met Goes All in On ‘Queen of Spades’
Elijah Moshinsky's vivid production is a winner.
The Met’s ‘Antony and Cleopatra’ Reframes Ancient Tragedy Through the Lens of Propaganda
Spin—and its darker fascist cousin—is everywhere in Elkhanah Pulitzer’s production of John Adams’s opera.
