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Newsletters

Musical

Jennifer Simard On Her ‘Death Becomes Her’ Onstage Partnership—And Tony Competition

Both Simard and her co-star in "Death Becomes Her," Megan Hilty, are up for the Best Actress in a Musical Tony this year. "You must throw the ball to your playing partner and let them win sometime," says Simard. "If they win, you win.”
By Harry Haun

Review: ‘Dead Outlaw’ Is An Exquisite Corpse and Killer Close to the Broadway Season

This darkly exhilarating musical has what is easily the best new score on Broadway, written by by David Yazbek and Erik Della Penna, and an irreverent yet wistful book by Itamar Moses.
By David Cote

‘Smash’ Is Escapist Fluff and Exactly What We Need Right Now

Loosely adapted from a short-lived television series, this musical comedy about the making of a musical is full of showstopping songs and powered by a phenomenal cast.
By David Cote

Review: British Musical Farce ‘Operation Mincemeat’ Is Anything But Dead on Arrival

By David Cote

Review: Idina Menzel Goes Out on a Limb in Eco-Musical ‘Redwood’

By David Cote

Review: Does A Race-Critical ‘Show Boat’ Weather the Winds of History?

By David Cote

Darren Criss on Bringing Robot Love to Broadway With ‘Maybe Happy Ending’

By Harry Haun
(L to R) Sophie (AMANDA SEYFRIED) and Donna (MERYL STREEP) in "Mamma Mia! Here We Go Again." Ten years after "Mamma Mia! The Movie," you are invited to return to the magical Greek island of Kalokairi in an all-new original musical based on the songs of ABBA.

‘Mamma Mia! 2’ Is a No-Star, Sub-Mental Musical That Nobody With a Brain Needs to See

By Rex Reed
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