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New York City Ballet

The New York City Ballet (NYCB), located at the David H. Koch Theater in Lincoln Center, New York City, is one of the foremost dance companies in the world. Founded in 1948 by choreographer George Balanchine and arts patron Lincoln Kirstein, NYCB is renowned for its dedication to performing a wide repertoire of ballets, ranging from classical to contemporary works. The company is particularly known for its strong association with Balanchine’s choreography, which forms a significant part of its performance season. NYCB stages approximately 60 ballets each year, showcasing the talents of its dancers and the innovation of its choreographers. The company’s annual season includes beloved productions such as “The Nutcracker” during the holiday season and various mixed-repertory programs. NYCB also emphasizes educational outreach, offering programs that introduce new audiences to the art of ballet and support the development of young dancers. With a commitment to excellence and artistic innovation, the New York City Ballet continues to be a leading force in the world of dance, contributing significantly to the cultural fabric of New York City and the global ballet community. Read more about Dance.

New York City Ballet 2026 Spring Gala

At the 2026 NYCB Spring Gala, Fran Drescher, Hari Nef and Olivia Palermo Opined On the Power of Ballet

As always, the company's annual gala drew a glittering constellation of celebrities, philanthropists and arts advocates.
By Nadja Sayej
A group of dancers in earth-toned costumes leap and tumble across a dimly lit stage, their bodies captured midair above a reflective floor under focused beams of light.

Observer’s Guide to the Best Dance Coming to New York City This Winter

The coming months are jam-packed with fascinating festivals, classical ballets and international performances.
By Caedra Scott-Flaherty
New York City Ballet 2025 Spring Gala

Tiler Peck On Bringing ‘Turn It Out with Tiler Peck & Friends’ Back to City Center

Her curatorial approach transforms the stage into a meeting place for different genres and creative sensibilities to participate in rhythmic dialogue.
By Caedra Scott-Flaherty

Ballet Needs to End Its Use of Yellowface; It’s Phil Chan’s Mission to Make That Happen

By Juan Michael Porter II

City Ballet’s Fans and Dancers Revisit Past Triumphs Through an Online Spring Season

By Charlotte Barnett

The 10 Performances Not to Miss in Dance This Spring

By Charlotte Barnett

City Ballet Shies Away From Taking Chances on Its Young Stars

By Robert Gottlieb

What New York City Ballet’s Fall Season Reflects for the Company’s Future

By Robert Gottlieb

Dance Heavy Hitters and Celebs Assemble in LA for Benjamin Millepied’s New Festival

By Jordan Riefe

New York City Ballet Ends Spring on a High With ‘A Midsummer Night’s Dream’

By Robert Gottlieb

New York City Ballet’s Spring Season Runs the Gamut

By Robert Gottlieb

Sara Mearns Combines the Personal and Professional In a New Role That Sees the Dancer Speak

By Charles Isherwood

City Ballet: A Triumphant ‘Apollo’ Debut, a Disastrous ‘Orpheus’ Revival, and More…

By Robert Gottlieb

Dance in 2018: The Year in Review

By Robert Gottlieb

New York City Ballet Strikes Back—With a Gala and Some Stellar Performances

By Robert Gottlieb

From ‘Marnie’ at the Met to James Whiteside’s Surrealist Leaps, the Must-See Opera and Dance of Fall 2018

By Michael Martin
Leonard Bernstein.

Have a Drink—and 6 Other Ways to Celebrate Leonard Bernstein’s 100th Birthday

By Angelica Frey
A shot from the documentary Lucinda Childs, Great Fugue by Beethoven,

5 New Dance Documentaries Flip the Boring Ballet Stereotype

By Angelica Frey

City Ballet’s Final Week a Mixed Blessing

By Robert Gottlieb

Jerome Robbins at 100

By Robert Gottlieb

Geoffrey Holder’s ‘Dougla’ a Knockout for Dance Theatre of Harlem

By Robert Gottlieb
Lauren King, center, in Dance Odyssey.

New York City Ballet Today…But Tomorrow?

By Robert Gottlieb
Dorrance Dance's Myelination.

Long Performances at ‘Fall for Dance’; A Short Career Farewelled at City Ballet

By Robert Gottlieb
The world premiere of Troy Schumacher's The Wind Still Brings at New York City Ballet's Fall Gala 2017.

To Dress or Not to Dress

By Robert Gottlieb
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