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Nicodim

A large painting of several men standing beside a white car on a city street, with pigeons flying overhead and graffiti on the background wall.

Devin B. Johnson Paints the Space Between Memory and Motion

His works “evoke that phenomenon of recollection—how remembering actually works,” the artist tells Observer. “When you remember something, especially something emotionally loaded, it’s always fragmented. It’s never a perfect replay of how it happened.”
By Elisa Carollo
A crowd lines up at the entrance of the Javits Center under large red and white signs reading “The Armory Show.”

A Brisk Start to the Armory Show Suggests Optimism as the Market Adapts to New Rhythms

“People are excited to be ‘back to school'—both dealers and collectors,” David Nolan told Observer after reporting strong opening day sales.
By Elisa Carollo
A minimalist white-walled gallery filled with fragmented, pale pink classical-style columns and architectural elements arranged across the floor and mounted in small wall displays, evoking the ruins of an ancient site.

What CLEARING’s Closure Tells Us About the Fragile Economics of Art Galleries

Dealers, especially those focused on primary market work, may be running more often than not on razor-thin or nonexistent profit margins.
By Elisa Carollo

10 Must-See Gallery Shows to Catch in New York This May

By Elisa Carollo
A crowd attending an art fair opening.

Dallas’ Art Fairs Open With Slow-Burn Sales and Museum Acquisitions That Signal Regional Potential

By Elisa Carollo
Image of an hotel with palms and pool

Felix Art Fair Opens With Early Sales and Enthusiasm for Smaller, More Reasonably Priced Works

By Elisa Carollo

More Hope Out of the Downturn, But Less to Discover: A Recap of New York Art Week

By Elisa Carollo
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