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No Longer Empty

A brightly lit gallery space at the FLAG Art Foundation featuring a group exhibition of sculptures on pedestals and mixed-media artworks hung salon-style on white walls.

Zero Art Fair Isn’t Selling Art—It’s Giving It Away, With Just a Few Caveats

“We see the fair as a bridge between art, artists and working people who deserve to live with art,” the fair's co-founders told Observer.
By Elisa Carollo
Works from the exhibition "When You Cut into the Present the Future Leaks Out," which opened April 23 in the Old Bronx Borough Courthouse to a small protest from community members (Photo: courtesy of No Longer Empty's website).

Backlash As Bronx Art Exhibition Sparks Gentrification Fears

For artists and developers, is the Bronx the new Brooklyn?
By Hailey Cunningham

Gallerist’s Week in Pictures: Cupcakes and Julian Schnabel Edition

This week, Gallerist traveled far and wide around the boroughs, from Bushwick at the Bogart Salon where Francis Greenburger and Ann
By Rozalia Jovanovic and Andrew Russeth

Most Recent Posts on Observer

Arjun Sethi, Co-CEO, Kraken speaks onstage during the Semafor World Economy Summit Fall Edition at Gallup HQ on October 16, 2025.

Crypto Has Been Renting Access to the Financial System. Kraken Just Bought In.

By Konstantins Vasilenko
A black-and-white painting shows a dark bridge lined with small lights stretching across the horizon above a surface of churning waves rendered in layered, silvery brushstrokes.

Karen Gunderson and the Subtle Complexity of Black

By John Scott Lewinski
Eddy Cue, Apple’s senior vice president of Services, (L) and Stefano Domenicali, President and CEO of Formula 1, at the Apple TV Press Day at the Barker Hangar on February 03, 2026 in Santa Monica, California.

Apple TV Chief Eddy Cue Brings His Formula 1 Passion to Streaming and Apps

By Alexandra Tremayne-Pengelly

In Pursuit of Powder: Catskiing Colorado’s Remote Irwin Backcountry

By Katherine Parker-Magyar
An abstract painting in reds, oranges, yellows and blacks that resembles an early cave painting but stylized

“Abstract Expressionists: The Women” Adds an Essential Chapter to the Movement’s History

By Mary Gregory
Ted Sarandos in a black tuxedo.

Netflix Leaves WBD Fight With $2.8B and a New Identity Question

By Brandon Katz
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